Ernest Fuchs (Austrian 1930-2015) Signed Etching 1963

Ernest Fuchs (Austrian 1930-2015) Signed Etching 1963 ; Paper Height: 22" Width: 16" ; Plate Height: 12.5" Width: 9.5"

Ernst Fuchs (Austrian, 1930-2015) Der Stern von Bethlehem. Color etching and aquatint dated to 1963, pencil signed lower right and numbered 209/300. Ref: Weis 80d 9.25" x 12.25" Frame: 17" x 19.25"

Ernst Fuchs, Austrian (1930 - 2015) "Serpent and Nudes" Etching on Paper, Signed and Numbered 105/120. Measures 13-1/2" x 10". Frame measures 40-1/4" x 30". Condition: Light foxing and toning otherwis

Ernst Fuchs (Austrian, 1930-2015), "8 Radierungen zur Vorzugsausgabe Ernst Fuchs Monographie", 1976/77, 5 of 8 etchings, each pencil-signed and numbered "286/3000" lower margin, edition Richard P. Har

Ernst Fuchs (Austrian, 1930-2015), Mythical figures, 1967, etching, 30.5X24 cm, signed in pencil and dated. With a dedication by the artist. Provenance: estate of Dahn Ben-Amotz.

First time at auction... Ernst Fuchs (Austrian, 1930-2015). "Adam und Eva" etching, n.d. Edition 222 of 600. Hand signed and numbered in pencil in lower margin. A wonderful etching of Adam and Eve be

Ernst Fuchs (Austrian, 1930-2015). Etching, 32 Paths to Wisdom # 9. Pencil signed lower right and numbered 167/297 in pencil lower left. Plate 21" x 12 5/8" (with frame 31 3/4" x 23").

Untitled c.1980 Color etching, edition 296/300, a dedication and signed lower right. Dimensions: Framed H 31"x W 24", sight: H 28" x 20" Condition: Good.

Ernst Fuchs (Austria, 1930-2015); 8 loose signed Etchings & each numbered 286/3000; in Special Edition white paper Portfolio numbered 286 and titled "Ernst Fuchs Monographie / 8 Radierungen zur vorzug

Ernst Fuchs (1930-2015) - Fische, Etching, 1975. Signed and numbered - 6/10. 40x22cm.

Ernst Fuchs (German, 1930-2015) - Tanz der Salome, Etching. Signed. 44x35cm.

Ernst Fuchs (Austrian, 1930-2015), "Agnos Mysticus," lithograph with mixed media, signed lower center with sealing wax stamp, overall (unframed): 30"h x 22"w

Ernst Fuchs (Austrian, 1930-2015). Oil on paper mounted to artist’s board depicting a Christian religious scene, possibly Christ appearing to Mary Magdalene. Signed and dated 1952 along the low

Ernst Fuchs (Austrian, 1930 - 2015). Patinated bronze sculpture titled "Sphinx II," 1991, depicting a crouching armless sphinx. Signed, numbered 224/1000, and impressed with the Strassacker

Emil Fuchs (Austrian 1866-1929)- Female Head- etching, signed in pencil, light struck, sandwiched. 6 x 4''

Ernst Fuchs (1930-2015), most important representative of the Viennese school of fantastic realism, ''Frau Lot'', multiple, gilded brass casting from 2014, signed in the casting, h. 10,3 cm

** A portion of the proceeds from the sale of this lot will benefit The Fowler Museum at UCLA ** Ernst Fuchs (Austria, 1930-2015), untitled engraving, numbered in pencil 18/180, signed by the artist i

Two etchings on paper, 20th CenturyIncluding Karl Bianga (Polish, 1930-2015), Fisch, signed, titled, and numbered 97/100 in margin; and an unsigned artist's proof depicting a galleon and dated 10-13-5

William Mc Nulty (American 1889-1963) ''In the Fifties (Whirlpool)''- etching, ca. 1930, signed in pencil, edition of 100, very good condition. 13 1/2 x 7 1/4''

William Mc Nulty (American 1889-1963)- ''In the Fifties (Whirlpool)''- etching, ca. 1930, signed and titled in pencil, edition of 100, paper age toned otherwise very good condition. 13 1/2 x 7 1/4''

Lot 113 Various Artists (XIX/XX) 3 Works on Paper various media including: Arthur Paunzen (Austrian, 1890-1940), drypoint etching, c. 1930, signed lower right Unknown artist, ink on paper, titled 'Hit

Francis Foy (American, 1890-1963), etching, "Willow Stump" pencil signed and dated 1930 lower right, edition 19/50, 7-3/8" x 5" plate, 15-3/4" x 12-3/4" overall, light toning

Ernst Fuchs (German, 1930-2015) Title Unknown. Lithograph. Numbered 170/200 in lower left corner. Signed in lower right corner. Unframed Sheet: 37.5" x 26"

Emil Fuchs THE SMILE SHOULD BE, 1926, etching, signed and dated and inscribed in pencil, plate 4 ¾ x 3 ¼”, full margins, frame 13 ½ x 11” with glass; Keith Shaw Williams PFAFFENTHAL, LUXEMBOURG