Erard Gothic Grand Concert Harp From the Paris Workshop

French Gothic Revival concert pedal harp, Erard, 13 Rue du Mail, Paris, serial number 3195, birdseye maple body and arm, spruce soundboard, column with applied gilt-gesso Gothic decoration, approx 70"

Sebastian and Pierre Erard satinwood and gilt concert harp, circa 1800, inscribed "S.P Erard 18 Great Marlborough Street, London, W #6842" and "By appointment to the Royal Family".70"h x 36"w

Erard Neo-Gothic Harp. Full Burl and Gilt Wood Classic Harp. Column with Gilded Entwining Ribbon and Grape Vine Carving, Saints Nave at Top, Gargoyle at Bottom. Inscribed, Sebastian and Pierre Erard ,

No. 3223-Concert Grand Harp in Original Case- 6 ft. Tall X 36" Deep X 20" Wide- Gold Gilt & Tiger Maple Body- Comes w/Stool & Music Stand-Needs Restringing

A very fine carved and gilt wood lyon & healey concert grand harp, model 22, circa 1919. in satin wood with carved and gilt wood support column, the sound board finely decorated with gilt scrolled fol

39.5in H x 88in L x 54in W

Erard concert grand piano, London, 1830-1835, the case entirely in burled elmwood with a pierced fretwork music stand likely rosewood and a lyre form pedal post, all raised on turned and tapered hexag

Concert grand pedal harp, Lyon & Healy, Chicago, style 23, no. 4205, natural maple with gilding, embellished with floral carving, fluted column, sweeping floral decoration accents the soundboard, seve

A 19th century French Grand piano by Erard, Paris. Book-matched Rosewood case in the Louis XV style with hinged cover and gadrooned edge, pierced carved music rack, tall cabriole legs with elaborate s

Antique French Chromatique or Chromatic Parcel Gilt Concert Harp, labeled Pleyel, Wolff, Lyon et Cie, Paris, # 598, Harp syst. Gve (Gustave) Lyon Brevete; fruitwood frame with giltwood crown and base.

A BELLE ÈPOQUE LOUIS XV STYLE BRONZE DORÉ MOUNTED INLAID KINGWOOD, BOIS SATINE, BRAZILIAN ROSEWOOD, CURLY BLACK WALNUT AND BIRD'S EYE MAPLE SEMI-CONCERT GRAND PIANO, CIRCA 1911-1920, WITH AN ERARD M

Napoleon III Mahogany and Parcel-Gilt Harp by Erard, 13, Rue Du Mail, Paris, model no. 3171 the support having floral entwined clustered palmettes, having some chips and flaking height 71 inches, widt

Georges Meunier (French, 1869-1942). Antique 19th Century Belle Epoque advertising poster for nightly concerts at the Grand Elysee Garden, Montmartre, Paris. French language, produced 1895 by the stud

ERARD LOUIS XVI STYLE AMBOYNA GRAND PIANO Serial no. 90188. Stamped Par Brevet de'Invention Seb. Pre. Erard 13 & 21, rue du Mail, Paris. Length 6' 11 inches. Provenance: Estate of Alexander Nott McInn

Important Louis XV Style With Gilt Bronze Trim And Animal Claw Sabots. By Erard, Paris, 1903. Bears Maker's Inscription. Immaculate Condition. 40h X 56w X 80 Long. From THE SANDRA CLEMENTS COLLECTION.

The column with scrolling oak leaf decoration surmounted by a Gothic-arched hexagonal colonnade with saints and angels, the neck engraved Sebastian and Pierre Erard's Patent No. 6502 18. Great Marlbor

Erard Bird's-Eye Maple and Parcel-Gilt Pedal Harp mid-19th century, the pillar with Gothic-style decoration and inset maple veneers, the crown with molded reliefs of medieval figures surmounted by arc

Wurlitzer Starke Model Concert Harp No. 845. 43 strings with 7 pedals. This item is for PICKUP only.

LYON & HEALY 7 PEDAL CONCERT HARP, GILT FRAME W/INTAGLIO CARVING & FLUTED COLUMN, REQUIRES RESTORATION, 69 IN X 37 IN

early 20th century, maple, 45 strings, 7 pedals, 70" tall, approx. 75 years old

with gilt incising and Chinoiserie panels Pagoda crown and paw feet 72" high circa 1875

French rosewood writing desk, early to mid 19th c., made for Sebastien Erard (1752-1831) and Pierre Erard (1794-1855), pianoforte and harp makers to the King of France, commemorating their Medaille d'

Eugene Santory Paris workshop 4/4 violin bow, silver mounted, fair condition. Condition: overall the bow needs cleaning; silver adjuster is loose and needs restoration; needs a new leather pad; needs

Louis XV Vernis Martin style Kingwood side cabinet, in the manner of the Paris workshop of Joseph-Emmanuel Zwiener or Francois Linke. Reverse Bombe form, with breche d'alep fitted marble top over a ta