Elmar 4/9cm 'Fat'

Early 'Fat' Elmar in mint, unused condition, with very good optics, both matching caps, early dark-red maker's box 'Elangkup', very hard to find in this beautiful conditionThe Buyers Premium For All I

Early Numbered Version With Rangefinder Coupling Elang-Kup, In Very Good Condition, Good Optics With Some Haze, Feet Scale First Delivered To London On 14.09.1932, With Both Caps

Very Rare, Original German Marine Elmar 9Cm Lens, Engraved On The Barrel With Reichsadler And 'M', In Fine, Original Condition, Delivered To Berlin On 24.09.1941, Included In This Lot Is A Brown Bakel

Lot of four Elmar 4/9cm lenses: (1) no.177916 (1933, cond. A/B, optics with only minimal flaws, with both caps and FIKUS hood), (2) no.697462 (1949, cond. B/A, good coated optics, (3) no.1286639 (1955

Early post-war ELANG (1946) no.609913 with visible signs of wear, good optics (light coating), in a lot with collapsible Elang-M (1957) no.1461515 in near mint cosmetic condition (optics with slight c

90mm "Fat" Elmar f4 (no serial number) in black and nickel finish, in original paper box. Light cleaning marks. Condition: Excellent +

black, body, G, elements, G-VG, some internal haze

Serial No. 1010089, 1952 非常稀有的Elmar 4/9cm，鏡身刻有“Eigentum der Ernst Leitz GmbH Wetzlar”（徠茲工&

Fernando Botero bronze fat English gentleman banker Property from Hascoe Family Collection.

Stainless steel round case, n.F517706, green aluminium bezel.Black dial, luminescent indexes. Automatic movement. Stainless steel Oyster bracelet 93250, deployant stamped CL4. Size: 40 mm. Accompanied

Elmar Rojas Un Día de Mercado en Atitlán 1992oil and acrylic on canvas 67 h × 58.25 w in (170 × 148 cm) Signed to lower left 'Elmar Rojas'. Signed twice, titled and dated

Elmar Rojas Otros Temas del Torofuego 1992oil and acrylic on canvas 70.5 h × 58.5 w in (179 × 149 cm) Signed and dated to lower edge 'Elmar Rojas 92'. Signed twice, titled and date

Extremely Fine Vintage Chinese Mutton Fat White Jade Bangle by one of the best jade carver Yang Xi , creamy mutton fat white jade with excellent bamboo shape carving ,inner size; 6.2 CM , thickness: 0

Teos on fikseeritud Tartu Kunstimuuseumi näitusekataloogis “Elmat Kitse fenomen” (Tartu Kunstimuuseum 1994, lk. 100, nr.599). Kunstniku loomingus on palju eskiisina mõjuvaid, ela

Leica 72 18x24 Half-Frame Nr. 357166 with 50mm Elmar f3,5 Nr. 434729.Made in Wetzlar, Germany in 1958, in a batch of four cameras. Based on the tried-and-true Leica IIIa, the Leica 72 was designed for

Josephine Graham. When The Fat Lady Sings (Five Ring Circus). Signed and titled. Oil and glitter on canvas. Masterpiece example! Excellent condition. Size with frame is 42" x 36". Est. $2,000-4,000. S

Circa 1825-1875. No chips, cracks or repairs. The carving depicts a father holding Ruyi, while his son looks on. Fantastic color and well carved. No internal cracks or fissures. Without the wood fitte

Taevaskoda. 1967. Õli. Lõuend. 65 x 49 cm. Taevaskoda on Eesti looduslikult kaunimaid paiku ja E. Kitse maastikepaar, mis kujutab Ahja jõe kõrget liivakallast seal eri aspekti

Taevaskoda. 1967. Õli. Lõuend. 65 x 49 cm. Taevaskoda on Eesti looduslikult kaunimaid paiku ja E. Kitse maastikepaar, mis kujutab Ahja jõe kõrget liivakallast seal eri aspekti

Very Rare And Original 'Loan Camera' Engraved On The Rear Of The Top Plate 'Leih-Kamera', According To The Leica Delivery Book The 'Leihk.' Was Delivered On September 16Th, 1929 To E. L. Berlin, Order

FREDERICK HAMMERSLEY (1919-2009) Fat free, #16 1987 signed and dated 'F. Hammersley 1987' (center) oil on rag paper on linen on wood in artist's frame 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm.) framed: 12 7/

A PAIR OF PARTIALLY PAINTED CERAMIC 'FAT LADIES' FEMALE FIGURES China, Tang dynasty style The two ladies standing on a roughly square base, the voluminous bodies wearing a wide dress, the plump faces

Narva HEJ, eskiis. Õli. Lõuend. 60 x 81 cm. 1956. aastal maalis Elmar Kits Narva HEJ vestibüüli jaoks pannoo „Narva panoraam kosega” (205 x 330; 1994. aasta kataloogi &

Suurte kompositsioonide, panoraamsete maastike, seinamaalide, poolabstraktsete või abstraktsete improvisatsioonide kõrval maalis Elmar Kits justkui muuseas lilli, enamasti väikeses form