EATON, Maria Hampshire - (BRITISH c.1860-c.1940)

2 English cottage scenes. Watercolour on ivory. One signed lower left, one signed lower right. Gallery label on back. Framed size: 16 x 19 cm. (6 1/4 x 7 3/4 in.)

Jane Maria Bowkett (British, 1837-1891) , "Expectancy", oil on canvas, monogrammed lower left, pencil-titled twice, inscribed with artist and handwritten label with artist on stretcher, 30 1/8 in. x 2

Arthur Joseph Meadows British, 1843-1907 Santa Maria della Salute, Venice, 1907 Signed and dated Arthur Meadows 1907 (ll) Oil on canvas 18 x 11 7/8 inches (45.7 x 30.2 cm) Provenance: Guarisco Gallery

British Large Mahogany Chest c.1860 - 67 in tall x 52 x 22

John Shirley Fox (c.1860-1939) British. 'The Meeting Place', a Courting Couple by a Wooden Bridge, Oil on Canvas, Signed, 28" x 36".

James Ward (British, 1769-1859) "Mare and Foal" oil on cradled wood panel Frame with artist plaque. 18-3/4" x 21-3/4", framed 25-3/4" x 30" Provenance: Bruce McCashin Collection.

Title: Needlework Sampler by Maria M. Cressy - Bradford, New Hampshire c.1826 Additional Information: Maria Cressy was born November 30, 1817, in Bradford, NH, and wrought this sampler at aged 9 while

THOMAS HARTLEY CROMEK (BRITISH 1809-1873) Santa Maria in Cosmedian, Rome Watercolour over pencil 35 x 49cm (13 3/4 x 19 1/4in) Provenance: Acquired from the artist by W. Burkinshaw, Art teacher at Wak

Clarkson Stanfield, RA (British, 1793-1867) Basilica di Santa Maria della Salute, Venice signed and dated 'Clarkson Stanfield RA 1847' (lower left) oil on board 81 x 144.5cm (31 7/8 x 56 7/8in).

19 Century British Oil on Canvas Painting Maria, George, and Cecelia Wyndham, Painted at Cromer Hall Unsigned Oil on canvas. A typed label on the frame reads, "O.R.S.S.G. OFFICE/FOR/COMMR WYNDHAM HART

Painting of Venice, Edward F D Pritchard(British),c.1890, of Santa Maria de Salute. Frame H 16" x W 20", painting H 9" x W 13". (From Mutual Art.com):"Edward F. D. Pritchard was a British painter who

Percy Earl, large equestrian oil on canvas, 1914, Percy Earl (British, 1874-1947), "Salt, The Mare, Pepper", signed, inscribed and dated lower left "Percy Earl Draycot 1914", and titled under each hor

Henry Cottrell (British, 19th century) "A Favorite Mare, the Property of Mr. C. Thorne," oil on canvas equestrian portrait of a horse, signed lower right: "H. Cottrell," bearing artist's plaque at bot

ALFRED POLLENTINE (British 1836-1890) A PAINTING, "Santa Maria Della Salute From The Grand Canal, Venice," oil on canvas, signed L/L. 16" x 24"

John Frederick Herring, Sr. (British, 1795-1865) Oil on Board "Mare and Foal." In the original 19th century frame labelled by Casson Galleries, 575 Boylston St., Boston en verso. From the original Fam

(Disney, 1940) An Original Production Background from the "Ave Maria" sequence of "Fantasia." Shot with Disney's groundbreaking multi-plane camera, this background was a bottom level and is marked BG#

(Continental, 1968) An original British quad poster for the initial UK release of George Romero's Night of the Living Dead. With its stark and iconic decomposing skull imagery, this quad remains the m

(Hammer, 1966) An original British quad poster for the third installment in the Hammer vampire franchise, Dracula, Prince of Darkness. Folded as issued, the poster measures 30"x40" and is in very good

FREDERICK JOHN MEYER (BRITISH, D. 1844) The children of Roger Staples Horman-Fisher, of Bentworth, Hampshire oil on canvas 181 x 133.5cm (71 1/4 x 52 1/2in) Provenance: Roger Staples Horman-Fisher, Es

Men-o-War and other craft on the Medway at Sunset Oil on canvas Signed lower right Size: 29 x 49 in. With The Fine Art Galleries, T. Eaton Co., stock # 20487; With The Fine Art Galleries, T. Eaton Co.

David Spiller (British, 1942-2018) The Power of Love (Donald Duck) Screenprint in colours, 2018, on wove, with the artist's printed signature, further initialled with the artist's wife Maria and son X

Ship's log for the H.M.S Hampshire, June 1913 – January 1914. Folio. 56 leaves with manuscript entries (approximately half of the volume, the last half blank), + 6 drawings/maps (some mounted onto s

(18th/19th century) Portrait of the Thoroughbred Chestnut Broodmare, Helianthus, signed lower left indistinctly "Brannon" (?), inscribed verso stretcher "Helianthus thoroughbred brood mare/the propert

CLARA MONTALBA (BRITISH, 1842-1929) OIL ON CANVAS 1893 H 27" W 19" 'LAGOON IN VENICE' Depicting a Venetian waterway with a ship in the foreground and the Basilica di Santa Maria della Salute in the ba