DONALD TESKEY, ACRYLIC/ PAPER, SGND & DATED IN VERSO

DONALD TESKEY, ACRYLIC/ PAPER, SGND & DATED IN VERSO "UNTITLED#7" PROV. DOLAN MAXWELL, 2014 (13 3/4" X 15")

Gary Komarin New York, Connecticut (b. 1951 abstract still life, 1997 acrylic on paper Signed and dated verso. Biography from the Archives of askART: Gary Komarin (born 1951) is an American artist. Bo

Gary Komarin New York, Connecticut (b. 1951) abstract head portrait, 1997 acrylic on paper Signed and dated verso. Biography from the Archives of askART: Gary Komarin (born 1951) is an American artist

Gary Komarin New York, Connecticut (b. 1951) abstract in yellow, 1997 acrylic on paper Signed and dated verso. Biography from the Archives of askART: Gary Komarin (born 1951) is an American artist. Bo

Gary Komarin New York, Connecticut (b. 1951) abstract, 1997 acrylic on paper Signed and dated verso. Biography from the Archives of askART: Gary Komarin (born 1951) is an American artist. Born in New

Sam Francis (American, 1923-1994). Untitled acrylic on paper, signed and dated on verso. Dimensions are: Image size - 14 1/2" X 11 1/2", Overall - 21 7/8" X 19 7/8". All measurements are approximate.

Stanley Boxer (American, 1926-2000), Untitled (Circles), 1990, acrylic on paper, pencil signed and dated verso, sheet (unframed/circular): 41"h x 41"w

Terry Lee Schutte (American, 1952-2010), "Fusion-Cielo Vivo," 1983, acrylic on paper, signed, dated and titled verso, sheet (unframed): 30"h x 22.25"w. Note: Sale will benefit The Mexican Museum (San

Acrylic abstract on paper. Signed, dated, titled verso. "Ten to Fire." Dated May 1983. Dimensions: (Frame) H 33.5" x W 21", (Sight) H 31.5" x W 19.5" Condition: No issues to note.

(lot of 3) Irving B. Haynes (American, 1927-2005), Untitled (Primary Color Abstracts), 1989, acrylics on paper, each signed and dated verso, sheets (all unframed): 30"h x 22.25"w

(lot of 2) Irving B. Haynes (American, 1927-2005), Untitleds 2000, acrylics on paper, each signed and dated verso, sheets (all unframed): 30"h x 22.25"w

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to b

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 24 x 18”, frame 28 x 21” no glass. Provenance: James Corcoran Gallery Santa Monica, lacking tag with inven

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 22 x 16 ½”, frame 25 ¼ x 19 ¼” no glass. Provenance: James Corcoran Gallery Santa Mon

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 33 x 25 ¼”. Provenance: James Corcoran Gallery Santa Monica (lacking label); Proceeds to benefit UCLA Hea

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to b

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to b

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 22 x 16 ½”, frame 25 ¼ x 19 ¼” no glass. Provenance: James Corcoran Gallery Santa Mon

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 22 x 16 ½”, frame 25 x 19 ½” no glass. Provenance: James Corcoran Gallery Santa Monica; Proc

William Schwedler(American/Colorado, 1942-1982)Thank you, come again, 1974oil, acrylic, and pencil on papersigned and dated versosheet 30 x 22in (76 x 56cm) Provenance:Andrew Crisp