Dominic Pangborn (b. 1952) Korean American

TALE OF A HEART, 2019, acrylic painting on aluminum, signed lower left, 7 x 5”, frame 20 ½ x 18 ½” with Plexiglas. Provenance: Park West with certificate of authenticity.

Dominic Pangborn (American, b. 1952) Untitled (Tidal Wave), 2001 acrylic on canvas signed D Pangborn (lower right) 57 x 81 inches. Property from the Collection of Dominic Pangborn, Grosse Pointe, Mich

Dominic Pangborn (American, b. 1952) Untitled (Hearts and Butterflies), 2019 acrylic on panel 79 x 60 inches. Property from the Collection of Dominic Pangborn, Grosse Pointe, Michigan

Dominic Pangborn (American, b. 1952) Untitled (Full Bloom Phenomena), 2019 acrylic on canvas signed D Pangborn (lower right) 57 x 57 inches. Property from the Collection of Dominic Pangborn, Grosse Po

Dominic Pangborn (American / Korean, 1952-). Am enamel on aluminum abstract work titled "Poppy XXVI". Signed lower right and deeply matted in a gilt frame. Mat opening: 6-3/4in x 4-1/2in. Outside fram

DOMINIC PANGBORN POPPY COLOR SERIOLITHOGRAPH COA Dominic Pangborn (Korean American 1952-), Abstract Poppy, 2015, 9 ¼ x 7” Seriolithograph in color on archival paper COA. Sig

Group of four works by Korean-American artist Dominic Pangborn (1952 - ). Running Man (2007): Acrylic painting on canvas. Signed in silver pigment. A unique work from the artist's personal collection.

DOMINIC PANGABORN (Korean-American, born 1952). Indians, 2013, Three-dimensional serigraph art. Signed lower right hand corner. Framed. - 9.5" x 21".; frame: 16" x 28"

Nadine DeLawrence-Maine (American, 1952-1993) Ka-Ba, 1988 painted aluminum singed N. DeLawerence, titled and dated (verso) 18 x 24 x 12 inches. Property from the Collection of Dominic Pangborn, Grosse

Cake (Blake)," 2011 Oil on digital ink jet print and acrylic and ink on two wood panels Signed: Jim Shaw; dated and inscribed "Blake" in pencil on the verso of the smaller panel; titled by repute L

From the 'Drops' series, glass drops on bent and etched glass on bruised mild steel. This piece was bequeathed from a private foundation to Ringling School of Art & Design. Size: 68 x 32 in.Kathleen M

Carbon Steel "Rocker" Chairs, 1993 Carbon steel Signed and dated: Eastman / 1993; further numbered: U26 and U27 Each: 32.75" H x 33.25" W x 27" D

Female bust in green art glass, etch-signed 'Richard' at base. This piece was bequeathed from a private foundation to Ringling School of Art & Design.Richard Jolley was born in Wichita, Kansas, and ha

MEANDER, 1995, kinetic wood sculpture, a signature not found, 31 x 22 x 6”, from an edition of 150, running time 10 hours according to the artist’s website, comes with artist mounting tem

FUSION, 1999, kinetic wood sculpture, a signature not found, 36 x 29 x 6”, from the edition of 150, running time 4 hours according to the artist’s website, comes with artist mounting temp

BRUNO SCHMIDT, 1993, oil painting on canvas, signed and dated and titled on verso, 14 x 9”, framed. Provenance: Tatistcheff Gallery, New York.

'After the Swim' oil on panel. Framed 13in. x 13in. (33cm. x 33cm) Provenance: Paul Thiebaud Gallery, San Francisco Eileen Da

YOUNG MAN, 1991, color pastel on paper, 20 x 16”, framed. Provenance: Tatistcheff Gallery, New York.

Two elongated blown glass vessels, etch-signed Kathleen Mulcahy. These pieces were bequeathed from a private foundation to Ringling School of Art & Design. Since 1969, Kathleen Mulcahy has been creati

"Untitled," 2000 Mixed media on board under glass Initialed lower left: D. M.; titled and dated on a gallery label affixed to the frame's backing paper 7.75" H x 5.5" W Provenance: PDX Contempora

FOOTBALL TACKLE, cast bronze sculpture with brown and green patinas, signed lower right, 27 x 32 x 19” including marble base.

THE BATTLE OF NORTH DAKOTA, 2013, oil painting on canvas, signed and dated and titled canvas verso, 24 x 34”, frame 25 ¼ x 35 ¼”. Provenance: Ota House, Marina Del Rey. From

SUBMERGED DREAM, color lithograph, signed in ink and numbered 102/500 in pencil, printed by S2 Editions with blind stamp, sheet 28 x 35”, frame 36 x 43” with Plexiglas.

IT’S THE HAT THAT MAKES THE DUDE, color lithograph, signed in ink and numbered 248/350 in pencil, printed by S2 Editions with blind stamp, sheet 29 ½ x 22 ½”, frame 38 x 31&