CIRCLE OF HANS REISINGER (GERMAN, ACTIVE LATE 16TH

CIRCLE OF HANS REISINGER (GERMAN, ACTIVE LATE 16TH CENTURY), AFTER A MODEL BY GIAMBOLOGNA LION ATTACKING A HORSE bronze, with a slightly oxidised greenish brown patina (18cm long, 10.5cm high) Footnot

A SOUTH GERMAN PATINATED BRONZE FIGURAL FOUNTAIN GROUP OF HERCULES AND CERBERUS From the workshop of Max Labenwolf and Hans Reisinger, 16th century The three heads of Cerberus piped to emit water. hei

DESCRIPTION: A woodcut attributed to Hans Springinklee (German, active 1512–22) titled: Maximilian Presented by his Patron Saints to the Almighty. Features a divine scene of Jesus wielding an o

Shimohara school, Bushu area (present day Hachioji, Tokyo), an assembled daisho (set of matched longsword and short sword) attributed to Yasushige (the father or the son, both active mid late 16th cen

copperplate engravings, the first by Sebastian Munster with descriptive German text, late 16th century; the second by Alfonsus Lasor Averea with descriptive Latin text, 1713. Both maps presented in si

KECK, HANS German sculptor, active early 20th century. Young farmer girl bronze, remnants of paint. marble base. figure is 3.5" tall

The Crucifixion”. No visible signature. Oil on Copper. Measuring 13 1/2” by 9 1/2”. Framed. (Cond: significant paint loss) (100/200)

GERMAN MASTER Active early 16th ct. TWO WINGS OF A RETABLE WITH ST. NICHOLAS, ST. ANNE WITH THE VIRGIN AND CHILD AND DONOR COUPLE Oil on panel. Each wing 44.5 cm by 13 cm. Verso: Stamp of the Collecti

Jost Amman (1539-1591). 2 Costume fashion designs. Woodcuts. Hans Weigel, Nuremberg, late 16th Century. 11 1/2" x 7 1/2".

A LATE 16TH CENTURY GERMAN TWO-HANDED SWORD OR ZWEIHANDER, 141.5cm wavy blade incised a circular panel of talismanic symbols of crosses and crescent moons and containing the legend A DOI M, the whole

A LATE 16TH CENTURY GERMAN BROWN SALT GLAZE STONEWARE JUG DATED 1598 WITH HINGED PEWTER COVER the bulbous body with differing figurehead panels divided by leaf sprays beneath a panelled shoulder and r

A late 16th century German silver single stacking beaker, maker's mark CK, a housemark device beneath (not traced), Colmar, circa 1588, the slightly everted rim engraved with three roundels with the d

Speeckaert, Circle of Hans (Jan) (Flemish, active in Italy c.1540-1577), The Reconciliation of Pope Alexander III and Frederick Barbarossa, (after Salviati's c. 1565 Vatican Fresco for the Sala Regia)

Gerhard Mercator (German-Flemish, 1512-1594), late 16th century hand-colored map of Ireland in two parts, titled 'Irlandiae Regnum Miliaria Irlandica Communia,' 17"h x 21"w sight of each sheet, overal

LATE 16TH / 17TH CENTURY GERMAN AUGSBURG SILVER BEAKER, cylindrical form with chased snakeskin texture to exterior, having remnants of gilt. Impressed to base with the Augsburg city mark, an &quo

European probably German Morning star of the late 16th or 17th century, with tar finish and four rows of old iron spike to all sides. Heavily pitted and damaged from use iron straps below the head wit

Hans Meyer, German, 1846-1919. A late 19th century etching on paper, titled "Head of a Girl". Signed "Hans Meyer" and dated "1871" in the plate mid right. Some toning and rippling to paper, very sligh

Late 16th/early 17thC probable German made iron Armata chest w remnants of old red paint - from the Longmeadow, MA Historical Society where it has been since it was donated in 1907 by Mrs. Allen of Hi

Cast bronze sculpture by Evgeny Naps, a German-born Russian sculptor active in the late 19th to early 20th century. The artwork represents a falconer on horseback, dressed in traditional clothes with

Constantin Holand (19th century) Germany Bronze Sculpture Measure 10 1/2"in H x 5"in W x 5"in D Biography: Constantin Holand was a German sculptor who was active during the late 19th century and early

A late 16th century engraving of German Arms, trimmed and matted. The engraving measures 3.25 x 5”. Reserve: $15.00 Shipping: Domestic: Flat-rate of $5.00 to anywhere within the contiguous U.S. Inte

Circle of Simon & Halbig (German, 1839-1932), circa late 19th century. A hand cranked musical automaton with three figural bisque-head musicians arranged surrounding a music stand, one cellist, one pe

GERMAN PAINTER OF LATE IMPRESSIONISM Active around 1930 View of Dresden (1830) Oil on canvas. 56 x 70,5 cm (F. 71 x 86 cm). Indistinctly signed and dated lower left. Verso: stamp on the stretcher 'Emi

(late 16th century) Christ Crucified, a Roman soldier piercing His side, the cross with the Titulus Crucis and flanked by the thieves, Mary Magdalene grasping the base of the cross, soldiers crowding