Circle of ALEXIS-SIMON BELLE (French, 1674-1734)

After ALEXIS-SIMON BELLE (French, 1674-1734), portrait of Prince James Francis Edward Stuart, oil on canvas, unsigned. Canvas cut and laid down to board, overpainting, overcleaned. Canvas/board 15-1/2

A collection of seven (7) assorted antique engravings on paper. Includes images of Lucas Emil Vorsterman, Cornelis Schuth, Alexis Simon Belle, Michel de Marolles, and Antoine Deparcieux. Measurements

France, 18th century. An engraving on laid paper of Monseigneaur the Dauphin of France (1730-1733). Alexis Simon Belle Pinx., Jean Daulle.

French Belle Epoque Silver Gilt Teapot for One fourth quarter 19th century, by Simon Slisonski, active 1888-1903, Paris, first standard (.950) silver, in the Empire taste, with ovoid body and cavetto

Dancing in a circle around the campfire on the beach, Mixed media on paper (attached to cardboard), 20 x 31 cm, Signed

An antique pair of French gilt brass five-light candelabra with opaline glass flowers, from the Belle Epoque period. Each measures approximately 28" x 12 1/2" x 6".

1. Dictionary of Cuisine By Alexandre Dumas' Illustrations by John H. Jacoby Published by Simon and Schuster 1958 Hardcover Spine torn a little Staining on front and back cover Staining on end pages W

Very fine Louis XVI style gilt bronze mounted Regulateur de Parquet clock by Franz Hermle, 20th century, after the model attributed to Jean-Henri Riesener (French, 1734-1806), the whole with faux tort

Louis XV/XVI transitional-style bronze mounted commode, in the manner of Jean-Henri Riesener (French, 1734-1806) with conforming rouge marble top over three long drawers, the case with marquetry and p

French School, untitled portrait, 19th century, oil on canvas, in the manner of Jean-Marc Nattier (French 1734-1782), large three-quarter painting of a lady with a fan and a garland of flowers to her

MICHEL ALEXIS (French-American, b. 1960), ''Subtracted Word #3'', oil, rice paper, and gel on canvas, signed and titled on verso, titled and dated ''2003'' on Stephen Haller Gallery label adhered to v

after MAZIERE, Simon, (French, 1649-1722): Patinated bronze figure of Silenus holding the infant Bacchus, unsigned, affixed to marble and slate base. Overall 17.5" h. x 7" x 6". Condition: Chips to sl

A FRENCH BELLE ÉPOQUE GILT AND PATINATED BRONZE FIGURAL TORCHÈRE, 1880s, in the Rococo Revival taste, with a beautifully modeled and cast upper body torso of a sparingly robed classical maid

Alexis Vollon (French 1865-1945) Portrait of a lady reading a book Oil on canvas Signed lower left 30" x 25"

Belle Epoque style gilt bronze chandelier, France, 19th c., having baluster base, with lion masks and draped foliate garlands, over suspending frame with three reeded rods, surrounded by crystal beads

French Belle Epoque Gilt-Bronze Chandelier fourth quarter 19th century, of baroque inspiration, the twelve-light chandelier with a tripartite standard decorated with scrollwork and cartouches, pierced

A French Belle ...poque bronze chandelierLate 19th centuryThe elaborate, gilt-bronze scrolled frame decorated with bows, acanthus, leaves, and masks with clear and frosted glass shades, electrified60&

French Belle Epoque Gilt-Bronze and Rock Crystal Chandelier fourth quarter 19th century, the twenty-four-light chandelier with a standard mounted with a seated figure of the goddess Diana, within a ro

French Belle Epoque Gilt-Bronze Chandelier the nine-light chandelier with a scrolled and pierced frame set with leaf-molded arms, alternating with torch-form candle cups, supported by gilt-bronze ribb

French Belle Epoque bronze and crystal eight-arm chandelier with ram's heads at top over decorative crystal strands, likely late 19th century. 41" H x 36" diameter.

ALEXIS VOLLON (French 1865-1945) A PAINTING, "View of Le Pont des Arts from the Seine River," oil on canvas, signed L/R, "Alexis Vollon," verso a paper gallery label. 21 1/2" x 25 1/2" Provenance: Kap

French Belle Epoque Giltwood Mirror fourth quarter 19th century, with a center oval surround and crossetted corners, the crest with a pierced wreath framed with sprays of ivy and flowers, the surround

Pair of Exceptional French Belle Epoque Giltwood Pier Mirrors fourth quarter 19th century, the cut corners with flat crests, decorated with laurel wreaths and sprays secured with carved tassels, the

FRENCH, BELLE ÉPOQUE, DIAMOND AND CULTURED PEARL BRACELET Consisting of four openwork stations containing numerous old mine and rose cut diamonds, connected by strung pearls. Mounted in rh