Chuck Arnoldi (b. 1974) California

UNTITLED BLACK & RED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 x 17 ¼”.

UNTITLED CROSS-HATCH WITH GREEN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 22 

UNTITLED BLACK & RED, 1982, color aquatint etching, signed and numbered 43/50 in pencil, printed and published by Centrum Press with blind stamp, sheet 15 x 17 ¼”.

Charles Arthur (Chuck) Arnoldi, California, Ohio (b. 1946), Venice #6, 1988, cast and assembled bronze with dry pigments and patina, 18"H x 16"W x 6"D

circa 1984 acrylic, modeling paste and wooden sticks on two panels signed, dated, and titled each panel 78 1/2 x 30 1/2 inches wide

Charles (Chuck) Arnoldi American b. 1946 Untitled tree branches joined by nails unsigned; an early example 96 x 79 x 10 in. (243.8 x 200.7 x 25.4 cm.) Provenance: Property from an Estate, Wilshire Cor

VENICE BEACH, CLEAR DAY, 2008, oil painting on canvas, initialed and dated lower right, 26 ½ x 32”, frame 28 x 33 ½ x 2”. Provenance: Terrence Rogers Fine Art, Santa Monica.

IRMA’S SPOOLS, 2004-09, oil painting on wood panel, signed and dated on verso, 19 x 18”, frame 22 x 21 ¼”.

SELF PORTRAIT WITH MASK, 2016, oil painting on wood panel, a signature not found, 12 x 7” framed.

EL CAMPEON, 2014, etching, signed and dated and numbered 2/7 in pencil, signed and dated in ink on artist’s label plate 5 ¾ x 7 ¾”, full margins, frame 15 ¼ x 18 &fra

MUERTOS CAFÉ, 2013, color linoleum block print, signed and dated and numbered 2/10 in pencil, signed and dated in ink on artist’s label and frame verso, sheet 20 x 13 ¾”, frame

NIGHT REPAIR, 1983, color lithograph, signed and dated and numbered 20/25 in pencil, sheet 32 x 27”, frame 37 ¾ x 32 ½ x 2”.

ACENSION, acrylic painting on canvas, signed in reverse lower right, 24 x 20”, frame 25 ¼ x 21 ½ x 2”. Provenance: Gallery Nucleus.

UNTITLED, 2001, color offset lithograph, signed and numbered 13/13 in pencil, image 17 x 17”, full margins, frame 27 ¼ x 27 ¼” lacking glass.

Eric Doeringer (b.1974 California) "Bootleg Series: Kehinde Wiley" Mixed Media Artwork, 2006. Artist label on verso. Measures 11x9". Giclee on canvas with gold marker, plastic decorative frame. Excell

from "Crystal Candy Set"; white ceramic, crystal and copper; ed. 9/25; signed by the artist and with Baccarat mark 22 x 8 in. (55.9 x 20.3 cm.) Provenance: Property from a Southern California Estate

(American, b. 1946) Monotype print on paper, signed and dated 11/3/1987 on bottom edge 30-1/2"h x 44"w Provenance: Garner Tullis, New York, Santa Barbara, Pietrarubbia; Property from the Collection of

JAMES CORDOVA (American b. 1974) "Santa Marta", 1996 painted wood sculpture, 15.5 x 7 x 6 inches, signed and dated under base: 'James Cordova 1996'. Provenance: From the estate of Chuck and Jan Rosena

WHITE BRANCH, MERCED RIVER, YOSEMITE VALLEY, CALIFORNIA, 1974, gelatin silver print mounted to card, signed and dated in pencil on card, image 10 ¼ x 13”, frame 16 ¼ x 20 ¼”.

Gordon Mortensen (California, b. 1938), "Late Afternoon", 1974, signed and numbered reduction woodcut sight: 18.5 x 24.5 in., frame: 27.5 x 33 in. When the artist uses only one block, he prin

William George Beckman (American, b. 1942), "Landscape #1," 1974, watercolor and pastel on paper, gallery labels (Allan Stone Gallery, New York/Atherton Gallery, Atherton, California), museum label (I

Ronald Davis (American/California, b. 1937), "Snap Line: Windows", 1974, mixed media on paper, signed and dated lower right, sight 27 1/2 in. x 28 1/2 in., framed IMPORTANT: All purchases must be remo

Yosemite Valley. Signed, dated 1974. Titled "The White Branch, Merced River, Yosemite Valley, California." Dimensions: (Frame) H 17.5" x W 20", (Photo) H 11" x W 13" Condition: Acid burn to edge of ma

FRAGMENT SERIES XII & VI, 1974-76, two, each a bronze and finished wood sculpture, 6 x 10 x 4 ” & 4 x 7 x 3 ”, smaller one with minor stress separation at seam, otherwise both in good studio condi