Charlotte Britton (B 1938) California, Watercolor

Wisconsin/California artist, watercolor of the Golden Gate Bridge & Ft. Point. San Francisco 1978. Signed lower left. Gallery label verso. Sight size: 20 3/4 x 28 3/4 in. Overall size: 28 1/4 x 36 1/2

Charlotte Britton (American, b. 1938) Pomegranates, 1985, watercolor on paper, signed lower right, matted and framed. Dimensions: 20 x 27 in. image size, 28 x 36 in, as framed. Condition: Appears to

ROW AFTER GLITTERING ROW, 1999, ink, watercolor and gouache on paper, signed and dated lower right 22 x 13 ¼”, framed 27 x 18 ¼” with Plexiglas.

IT’S COMMON KNOWLEDGE #2 (East & West), 2001, gouache and watercolor on paper, signed and dated lower right, 22 ½ x 17 ½”, frame 27 ½ x 22 ½” with Plexig

SCENIC LANDSCAPE VIEW NEAR SANTA BARBARA, oil painting on canvas, signed lower left, 30 x 40”, hand carved gold leaf frame 36 ½ x 46 ½ x 2 ½”.

AT TIMES SHE THOUGHT OF FISH, 2012, acrylic painting on panel, signed and dated lower right side, 26 x 23 ¾”.

MCGRAW WATCHING TRAVIS JACKSON HIT, 1982, oil painting on canvas, signed and dated and titled on verso, 53 x 68”, frame 54 x 69”. Provenance: OK Harris Gallery, New York City.

HUMPTY DUMPTY& MARLENE, 1977, cast Polyester resin sculpture with airbrush lacquer finish, signed and numbered AP #3 (artist’s proof) underneath base, aside from the edition of 10, sculpture 5 x

Framed oil painting on canvas, Deer and Snow on the Bay, signed lower right Van Megert (Jerry Van Megert, Oregon, California, b. 1938), brief biography at verso, sight: 67.25"h, 47.25"d, overall: 75.7

AT TIMES SHE THOUGHT OF FISH, 2012, acrylic painting on panel, signed and dated lower right side, 26 x 23 ¾”.

SOME ONLINE SAY THE WORLD WILL END ON FIRE, acrylic painting on shaped panel, signed and dated lower right, 17 x 23 ¼”.

THE RELENTLESS TORRENT OF INFORMATION (Running Dog), 2013, acrylic painting on shaped panel, signed and dated lower right side, overall 27 ½ x 46 ½ x 1 ¾”.

范曾伏虎罗汉 设色纸本软片 Arhat with tiger; Chinese ink and watercolour on paper; signed Fan Zeng (b.1938); inscribed with seven

KIM IN A CUP with saucer, two part cast Polyester resin sculpture with airbrush lacquer finish, each signed and numbered 10/10, overall 6 x 10 ½ x 9 ½”.

Claire Maunsell a pair of polychrome glass vases, both with inscriptions or signatures underneath, 13” & 10” tall; Bertil Vallien Orange and multi-color vase, signed underneath, with Kosta

THE DOG JUMPED OVER THE MOONS, 2013, acrylic painting on panel with satellite, signed and dated lower right, panel 48 x 17 ¾”, satellite oval panel 5 ½ x 3 ½”.

POPCORN SURPRISE #7, 2017, acrylic painting on panel, signed and dated lower right, 17 ½ x 14 ½”.

THE LUMBAR REGION, 2005, acrylic painting on panel, signed and dated lower right, artist’s shaped panel 42 x 20”.

FORBIDDEN PLANET, 2004, acrylic painting and gouache on paper, signed and dated lower right, 23 ½ x 17 ¼”, frame 27 x 20”.

BORZOI HEART OF GOLD, 2021, original cast bronze sculpture on Belgium marble base, signed and dated underneath, 9 ½ x 8 ½ x 7” with base.

PENNY AND THE JETS, 2007, gouache and acrylic painting on paper, signed and dated lower right, 22 ½ x 18” frame 25 x 20 ½” with Plexiglas.

Jellybean bottle, heavy blue glass with fused glass design, signed and inscribed underneath, with Kosta Boda label, 14 x 18 x 11”.

Green to yellow overlay glass vase, signed and inscribed underneath, with Kosta Boda label, 5 ¾” tall, 4 ¾” diameter.

THE GREAT WAVE, 2015, acrylic painting on panel, signed and dated lower right side, 17 ¼ x 20 ¼”.