Charles Bayley Cook. "In Coming Tide. Prout's Neck

Charles Bayley Cook. "In Coming Tide. Prout's Neck Maine. 1913". Oil on canvas. Signed lower left. Inscribed on reverse. Unframed. 16" x 18".

oil on board signed lower left 16 x 20 inches

Prout's Neck, Maine, Coastline and houses. Detail... houses, flag, sails in distance, dory with sand piper on rail. Title: Prouts Neck, Maine, shoreline. Medium: Oil on Canvas. Signature: Unsigned. Fr

Calvin Liang | b. 1960 Incoming Tide Signed l/r: Calvin Liang Oil on canvas 20 by 30 inches

PROUT’S NECK MAINE, watercolor on paper, with sketch on verso, signed lower right, sight 9 x 12”, framed with glass. Provenance: Mirell Gallery, Miami, purchased in 1966.

American sterling silver presentation pitcher, Tiffany & Company Makers, c.1902-1907, directorship of Charles T. Cook, model 82140, engraved: "presented to the Hon. William Sulzer, chairman of the Com

American sterling silver centerpiece bowl, Tiffany & Co. Makers, c.1902-1907, directorship of Charles T. Cook, scrolled rim with shells, pierced latticework, raised on four scrolled feet, approx 4.75"

WALTER FARNDON (American, 1876-1964)Low Tide at Little Neck Bayoil on canvasestate stamped verso24 x 34 in., frame: 31 1/2 x 41 1/2 in. Provenance: By descent within a Massachusetts family.

Charles Robertson, RWS (British, 1844-1891) 'The ebbing tide, Porlock' signed with monogram (lower right); further signed and titled 'No. 3/The Ebbing Tide. Porlock/Charles Robertson/Godalming' (on ar

Oil on canvas signed lower right, size 12" x 16". Condition slight puncture in canvas less than half inch in size.

This formerly restored 1935 Ford Phaeton has been well maintained and is coming to us from the Charles Laughner Estate of Indianapolis. The car is an all steel body that is powered by a flathead V8 an

Pink floral lace decorated allover with pink sequins, pearls and beads, having square neckline with wide strap, V-back, tulle neck insert, narrow skirt with train edged in tulle,pink silk underdress.

Attributed to Callot Soeurs. Black net with lace inserts over pale blue chiffon and satin, having high waist and deep V-neck, full, short puffed sleeves of heavy ivory lace, the bodice and upper porti

PARIS BEADED TULLE GOWN ATTRIBUTED to QUEEN ALEXANDRA, 1900-1905. Two-piece grey tulle extensively decorated in black bugle beads and faceted paillettes, long sleeve high neck bodice having narrow tuc

White silk covered in slightly curled white feathers, single hook & eye at neck, taffeta lining. Labeled. B-42, L-55. An example of this coat in green is in the Costume Collection of the Met. (Broken

Black silk with cream dots and large cream, brown and black fruit basket design on bodice front and back, small V-neck and curved yoke, cap sleeve, shoulder snaps, set-in waist shirred at center front

Peach satin with an overtunic of grey silk net embroidered with grey beads and smoked pearls, the bodice having a layer of cream chiffon with short sleeve, lace neck insert and wide satin sash. Label

Draped short sleeve cut as one with bodice having print of sky, clouds and birds, tiny rounded half-collar threaded with neck tie, set-in waist, full ankle-length circle skirt with whimsical lambs in

Sleeveless red and gold pebble print with V-neck and back, the blouson bodice decorated in crystal beads and rhinestones, dropped waist, hip sash gathered into pink silk and metallic gold flowers, ful

Red silk having V-neck, padded shoulder, cap sleeve and keyhole back, bodice decorated with swallow on flowering branch worked in polychrome sequins and gold cord above an asymmetrical shaped waistlin

Blue silk dress having high neck insert of cream lace and blue chiffon decorated with metallic embroidery, large satin crossed collar, short sleeve and self sash with button & loop details, lace under

Sleeveless burgundy silk dress having ruched scoop neck and V-back, bodice top trimmed with silver metallic cord, pearls and rhinestones in a foliate pattern, shirred at the waist with small center st

2-piece cream satin printed with polychrome roses embossed with velour and trimmed in pale apricot satin, back lacing bodice having ruched cap sleeve, wide V-neck with pleats and shoulder bows, deep f

Sleeveless rose pink silk with gentle V-neck having drawstring with bead at tips, the armholes and side seams decorated with polychrome opaque beads on silk cord, stenciled belt with bow having serpen