CARAGLIO after Rosso FIORENTINO: "Hercules"

Gian Giacomo CARAGLIO (circa 1500-1565), after Rosso FIORENTINO (1494-1540): "Hercules". Engraving on laid paper, 1526. Ref: Bartsch XV 79-38 II/II. Second state, after being retouched by Villamena. F

Framed oil on canvas painting, Overdoor Panel, signed lower right WB, dated 2004, central roundel of cherub playing a lute after Rosso Fiorentino (Italian, 1495-1540), approx 48.5"h, 73"w Start Price:

Full title: Auguste Joseph Peiffer (1832-1886): Putto with his setter, brown patinated bronze on a rosso fiorentino marble base Description: H 28,3 - L 32 cm Ref.: - P. Kjellberg, Les bronzes du XIXe

(20th century). After Rosso Fiorentino (Italian,1494-1540). Titled, signed and dated "May 1891" on verso, 7 1/2 x 10 in., framed

A SOUTH GERMAN PATINATED BRONZE FIGURAL FOUNTAIN GROUP OF HERCULES AND CERBERUS From the workshop of Max Labenwolf and Hans Reisinger, 16th century The three heads of Cerberus piped to emit water. hei

RICARDO ROSSO, PIERO DEROSSI + GIORGIO CERETTI 'Pratone' seating element, 1971 / 1986Guflac®-coated soft polyurethane foam. Manufactured by Gufram, Italy.Number 157 from the edit

RICARDO ROSSO, PIERO DEROSSI + GIORGIO CERETTI 'Pratone' seating element, 1971 / 1986Guflac®-coated soft polyurethane foam. Manufactured by Gufram, Italy.Number 156 from the edition o

Circle of Jean Francois Lagrenee (French, 1725-1805), monumental 18th century oil on canvas mythological painting titled Hercules Going to War, depicting the Roman god departing a marble portico with

A FLEMISH PATINATED BRONZE GROUP: HERCULES AND THE LERNAEAN HYDRA Early 17th century height 22 3/4in (53cm); width 9in (23cm); depth 7in (18cm); height of marble base 4in (10cm) Footnotes: The Baroque

DESCRIPTION: A 19th Cent French Mantel clock composed of a bronze sculpture depicting the mythological scene of Hercules supporting the world. Featutingan 8 day movement with anchor escapement and hal

Napoleone Martinuzzi Rosso e Nero vase Zecchin-Martinuzzi/Company Venezia Murano Italy, c. 1933 pasta di vetro with gold leaf and applied handles 6.25 w x 6 d x 13.75 h inches Signed with three-line a

Circle of Jean Francois Lagrenee (French, 1725-1805), monumental 18th century mythological painting titled Hercules Returning From War, depicting the Roman god seated and relaxing in a landscape setti

CARTIER Demi-parure in oro giallo, bianco e rosso con girocollo e bracciale semirigidi termianti dalle sue pantere e rifiniti entrambi con diamanti rotondi, complessivi g. 142,40. Astuccio originale T

Gruppo Strum / G. Ceretti, P. Derossi & R. Rosso Gufram Contract furniture, model Pratone. Design 1970. Polyurethane foam, Guflac. 95 x 134 x 142 cm. From the limited edition of 200 copies from 1986,

Measurements: 80 in H x 40 Diameter, over 300 lbs -Craters & Freighters Los Angeles818-244-4099 La@cratersla.com

120x60x50cm. each (one sculpture restored)

Lucio Fontana*, (1899-1968) Concetto spaziale (rosso). 1968. Plastic. Approx. 30 x 30cm. Framed behind glass.

AFTER ERNEST RANCOULET (FRENCH, 1842-1915), A LARGE BRONZE GROUP 'HERCULES, ATHENA AND CERBERUS' LATE 19TH/EARLY 20TH CENTURY Signed to the cast87.5cm high, the base 35 by 27.5cm

140by60cm. each

patinated bronze, mounted to granite plinth; 1972; signed "D. Hazdzi" and numbered III/VII Overall: 25 x 10 1/4 x 6 1/4 in. (63.5 x 26 x 15.9 cm.) Provenance: Property from the personal collection of

Massive Antique Italian Carved Wood Caryatid Figure in the Form of HerculesAcquired directly from film producer Burt Sugarman, 1979Featured in Architectural Digest, Winter 1970, p. 99Height: 71 inches

Sacra Famiglia Olio su tavola, cm 118X89,5 Il dipinto è una copia della Sacra Famiglia Borgherini conservata al Metropolitan Museum di New York (Inv. 22.75; olio su tavola, cm 135,9X100,6), realizzat

Ricardo Rosso, Piero Derossi, and Giorgio Ceretti for GUFRAM (Italian), 1971-1986, Pratone lounge chair, lacquered polyurethane foam in the form of a grass patch. Impressed title to side, stamped edit

Albrecht Dürer (1471-1528) Hercules conquering Cacus (Hercules conquering the Molionide Twins)Woodcut, circa 1496, a good Meder II a (of III c) impression, on laid paper with indistinct watermark