Bill Blass for Maurice Rentner Floral Velvet Coat & Dress Ensemble with Mink Trim, 1960s

Bill Blass for Maurice Rentner Floral Velvet Coat & Dress Ensemble with Mink Trim, 1960s Orange, purple and brown cotton velvet and silk ensemble, the coat is trimmed in brown mink, two slit pockets a

BILL BLASS for MAURICE RENTNER PRINTED SILK LONG DRESS, 1960s. Large-scale whimsical floral in black and pastel shades having wide three quarter sleeve, high waist with padded self belt and A-line wra

2-pc ensemble in pink wool c/o sleeveless shift dress & A-line coat both w/ welt pockets to front Hs, c. 1965, label “Bill Blass for Maurice Rentner”, jacket B 40”, L 40”, dress B

1 "Bill Blast for Maurice Rentner", navy, red, white & lavender woven mohair wool coat, tasseled tie belt, B 38", L 35", (some wool pills); 1 tan wool tweed dress w/ leather reptile belt & matching wo

Vintage Bill Blass evening gown ensemble, c. 1960's, for Maurice Retner in ivory crushed velvet with jeweled trim, sleeveless dress with trim at neckline and down sides, (2) slits at back side seams,

Both w/ label "Bill Blass": 3-pc evening ensemble c/o brown velvet jacket w/ corded braided sequin & rhinestone encrusted applique w/ mink cuffs, brown hammered silk camisole & ankle length skirt of w

(French, 1662-1744) Portrait of Young Girl in Blue Velvet Dress with Lace Trim, circa 1730s, old label attached verso with attribution to Sir Godfrey Kneller, oil on canvas, 20-1/4 x 16-1/8 in.; gilt

Ruby red square-cut sleeveless coat having a gold stenciled pattern of botehs with banded trim, notched back neckline, gold silk lining. Label "Mariano Fortuny Venise". 41 x 41. (Several holes in lini

Brown velvet coat woven in a pattern of beige and dotted green checks, lavishly embroidered with white silk, metallic cord, gold sequins and paste jewels, fancy embroidered buttons, gold silk cuff wit

Rare Straights Chinese Beaded/Embroidered Selendang, 19th C. Maroon velvet center with beaded floral design surrounded by beaded green velvet trim and embroidery. Size: 22'' x 9'' (56 x 23 cm). Proven

VIRGILIO KANECLIN CLOAK AND DRESS 30s Ensemble (cloak and dress) 1) A burgundy silk velvet cloak, gold cord piping 2) A gold lamè evening dress General conditions grading B/C (signs of wear)

Black silk velvet evening coat w/ dramatic gold & silver lame’ cape sleeves, shaped velvet cuff into floral & foliate motif, silk velvet front panel into CF tie closure, SH-SH 22”, B 44”

Coat and breeches of black ribbed velvet figured with cream silk floral devices having polychrome satin stitch floral, tall stand collar, shaped pocket flaps, deep cuffs with lace ruffle, triple-vente

Brown brushed wool balloon coat w/ stand collar & single button closure at throat, 3/4 length raglan sleeve, vertical inset pockets, lined in mocha silk taffeta, matching wool jersey dress w/ scoop ne

GENTS ENGLISH THREE-PIECE DRESS SUIT, LATE 18th C. Cream silk faille with figured stripe, coat having deep cuff and shaped pocket flap, the waistcoat trimmed in silk and metallic brocade floral bands

Blue silk dress having high neck insert of cream lace and blue chiffon decorated with metallic embroidery, large satin crossed collar, short sleeve and self sash with button & loop details, lace under

Sleeveless burgundy silk dress having ruched scoop neck and V-back, bodice top trimmed with silver metallic cord, pearls and rhinestones in a foliate pattern, shirred at the waist with small center st

ANTONIO LOPEZ (1943-1987) Pat Cleveland modeling Bill Blass and Jacques Tiffeau in "Spring on Seventh Avenue." Published in the editorial "Spring on Seventh Avenue" in New York Magazine, February 1969

(British, 1734-1797) Reverend John C. Carver of Morthen, South Yorkshire, wearing a brocaded dark blue velvet coat, waistcoat and holding a tricorn hat, 1760, inscription verso oil on canvas, 50-1/8 x

Oil and casein on masonite, signed lower right.  A depiction of a woman in floral dress, with characteristic repeating floral pattern, and drifting and lyrical floral pattern surrounding her, seate

(18th century) Portrait of a Gentleman, wearing a rose velvet coat and waistcoat, circa 1755-1760, oil on canvas, 29-3/4 x 25 in.; 18th century carved and gilt wood frame, 36-1/8 x 31-1/4 in. Provenan

HENRY FAULKNER / "Flowers", oil on Masonite , 24-1/2 x 20-1/2 inches framed and 17 x 13 Inches without the frame. Custom frame is double matted (wood and velvet trim).Very beautiful vintage painting a

European; possibly Dutch. With caned sides and floral velvet upholstery. C. 1940's. Dimensions: H 32" x W 26.5" x D 28" x SH 16.5" Condition: Frames with minor joint separation, a few nicks and scuffs

Chinese/Manchu woman's pink ground silk changyi robe, embroidered with butterflies and peonies of red blue and purple hues, accented by gilt, black and blue ground floral trims, 56"h