Betty Phoeniz Wan Hamada (20 th / 21 st Century) American

HOP TO IT, 2015, paper collage, signed and dated lower left, sight 9 ½ x 7 ½”, frame 15 x 12” with glass.

Betty Barnes Loehle (American (Georgia), 20th / 21st century), "Untitled (Sails Over Water)", acrylic and graphite on paper, graphite signed to lower right "Betty Barnes Loehle". Gestural abstract mar

Gordon Moore American (20th/21st Century) Untitled, 2011 ink and gouache on photo emulsion paper Provenance: Betty Cuningham Gallery, New York. 20"H x 16"W (sight), 28 1/2"H x 24 1/2"W (frame)

HORIZON OF MYTH, 1995, mixed media wall sculpture with screen-printed glass, with metal-tipped wood darts in an intentional non-closing suitcase, signed on artist’s label on verso, 22 ½

SLOWLY LISTENING AT AN ANGEL, found-paper collage and painting on wood panel, signed and titled on verso, 18 ¼ x 25”. Provenance: purchased directly from the artist at Scion Gallery Show,

QUEEN ELIZABETH & UNION JACK, unique hand painted polymorph, signed lower right, 16 x 15”, frame 23 ½ x 22 ½” with Plexiglas.

DONALD & GOOFY, unique hand painted polymorph, signed lower right, 12 x 15”, frame 19 ½ x 22” with Plexiglas.

SIX BLUE EGGS, 2007, acrylic painting on wood panel, signed and dated lower right, 9 ¾ x 9 ¾”. From the Stephen Cohen Collection, Los Angeles.

BB KING, color pigment print on archival paper, signed in ink by BB King and Robert Sturman, numbered 4/8 in pencil, sheet 22 x 22 ½”, frame 29 x 28 ½” with Plexiglas.

SAINT MARILYN OUR LADY OF HOLLYWOOD, 2004, archived digital print from photocollage, signed and dated and numbered 1/8 in ink on verso, 20 x 16”, frame 20 ½ x 16 ½”. Provenan

RIVER DANCE, 2003, oil painting with pigment and resin on wood panel, signed and dated and titled on verso, 11 ¾ x 47 ½”.

AFTER THE SUN HAS GONE, 2002, REFLECTIONS, 2005, two oil paintings on canvas, each signed lower left, the latter signed on verso; each 20 x 24”, frames 21 ½ x 25 ½” & 21 &fra

CAMPBELL’S SOUP PLATE, acrylic and spray paint on 10 ½” diameter plate, frame 20 ¼ x 20 ¼” with Plexiglas.

1930s’ PACKARDS, two, each a pastel and mixed media on paper or board, one signed lower right, one lower left, sights 8 ¾ x 7 ½” & 6 ¾ x 5 ¾”, frames 23

CS II, 2006, aquatint etching on black Korean Hanji paper mounted to a larger sheet of white paper, signed and dated lower right and numbered 1/30 lower left, image 30 x 36", sheet reduced to 34 ¾ x

DOOR-STOP, 2004, oil painting and welding on metal, 2004, signed and dated and titled on verso, 17 ½ x 9 x 1”.

1930s’ PACKARDS, oil painting on paper or board, signed lower right, sight 18 ¾ x 26 ¼” heavy frame 32 x 38 ¾” with glass, weight 23 lbs.

A David Neri CITY VIEW, 2002, acrylic painting on canvas board, signed and dated on verso, frame 17 ¼ x 13 ¼”; Together with Artists Unidentified SEASCAPE, acrylic painting on canv

A BREAK IN THE CLOUDS, 2004, oil painting on canvas, signed lower left, signed and dated and titled on verso, 24 x 30”, frame 27 x 33”.

LAST CALL, 2004, oil painting on canvas, signed lower left, signed and dated and titled on verso, 24 x 48”, frame 25 ¼ x 49 ¼”.

BAGS AT THE DOOR, 2004, oil painting and welding on metal, 2004, signed and dated and titled on verso, 20 x 16 x ¾”.

LITMUS TEST, 2003, acrylic painting on Masonite, signed and titled and dated and inscribed #7 on label on verso, 12 x 10”. From the Stephen Cohen Collection, Los Angeles.

LANDSCAPES, SEASCAPE & SAILBOAT, four, each an oil or acrylic painting, one on canvas, three on canvas board, each signed, three signed and dated and titled on verso, sizes from 8 x 10”, 5 x 7&r

THE SACRED FIRES CHRONICLES; THE MILLENIUM FIRES CHRONICLES, two mixed media paintings, one signed and dated on the verso, frames 25 x 19”, combined weight 33 pounds. (2)