ATTRIBUTED TO RALPH J. MUTTER New Jersey/California,

ATTRIBUTED TO RALPH J. MUTTERNew Jersey/California, 1901-1994Small sailboat. Unsigned. Housed in a 19th Century gilt frame.Gouache on paperboard, 4.75” x 6.75”. Framed 7.75” x 9.75”. Gouache o

Pair of American Cast Iron Garden Figures of Lions, late 19th c., attributed to J.W. Fiske, New York, opposing recumbent figures on integral plinth bases, two-part casting, after the original carved m

Late 19th century, American. Attributed to J.W. Fiske, New York. A nice full body spread wing example on a rod with original small cast metal directionals. The eagle is mounted on a brass ball and the

This painting has been associated with the work of Ralph Albert Blakelock, and it has been examined, numbered and officially catalogued by scholars who run the Blakelock Inventory at the University of

LANDSCAPE, oil painting on unstretched canvas without margins, 5 x 10 1/8", no signature found, framed, canvas waxed, in aged condition.

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

American Rococo Revival Laminated Rosewood Gentleman's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back

Rare American Rococo Revival Laminated Rosewood Lady's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back

Eleven-Piece American Neo-Renaissance-Style Mahogany Dining Set late 19th century, attributed to R. J. Horner, New York, commonly referred to as the "Man-of-the-Mountain" pattern, comprised of a circu

Rare American Rococo Revival Rosewood Settee, Attributed to J. H. Belter, New York of triple chairback form, each section with a finely carved crest depicting fruit, flora and leaves and framed by lik

American Neo-Renaissance-Style Mahogany Partner's Desk late 19th century, attributed to R. J Horner, New York, having a rectangular top with a molded edge, the front and back sides each fitted with a

A pair of grey-painted cast iron greyhounds Attributed to J.W. Fiske & Co., New York, NY, late 19th century On cast iron bases, apparently unmarked. (H: 24 in. W: 53 1/4 in. D: 14 1/4 in.) Provenance<

American Late Victorian Mahogany Writing Desk fourth quarter 19th century, attributed to R. J. Horner, New York, the rectangular top with a carved perimeter edge and rounded corners, both sides fitted

attributed to R. J. Horner, New York Elliot, London movement nine tubes stamped "Harris & Harrington? retailed by Black, Starr & Frost 8' 6" high

Pair of American Rococo Revival Laminated Rosewood Sidechairs, attributed to J. H. Belter, New York, in a variant of the "Tuthill King" pattern, each with an applied floral- and leaf-carved crest over

attributed to J. F. Tappan, New Hampshire mirrored with eglomise, 13 3/4" wide, 29 1/2" high circa 1830

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

American Rococo Revival Laminated Rosewood Armchair third quarter 19th century, attributed to J. H. Belter, New York, in the "Rosalie Without Grapes" pattern, the concave back with a floral fruit- and

American Rococo Revival Laminated Rosewood Slipper Chair, Attributed to J. H. Belter, New York third quarter 19th century, in the "Fountain Elms" pattern, the thinly laminated tall back with a leaf- a

A Renaissance Revival figural carved mahogany 'Morris' armchair, attributed to R. J. Horner, New York, late 19th century, the shaped armrests with winged griffins supports, the back with mechanical re

English Mahogany Server early 20th century, attributed to W. & J. Sloane, New York, the rectangular breakfront top with projecting canted corners, above a conforming case fitted with a central drawer

American Rococo Revival Rosewood and Faux Rosewood Work Table mid-19th century, of a form traditionally attributed to J. H. Belter, New York, the stepped top with a hinged cupboard, the whole opening

American Rococo Revival Laminated Rosewood and Marble-Top Center Table third quarter 19th century, attributed to J. & J. W. Meeks, New York, the marble top of tortoise form over a pierced foliate- and

American Rococo Revival Laminated Rosewood Settee third quarter 19th century, attributed to J. & J. W. Meeks, New York, in the "Hawkins" pattern, with an open carved crest centered by a floral-carved