Attributed to Circle of Annibale Carracci (1560-1600):

Attributed to Circle of Annibale Carracci (1560-1600): Kneeling Priest Chalk on paper mounted on paper, unsigned, indistinctly inscribed lower center; together with Attributed to Barthélémy Du Pan

After Annibale Carracci (Italian 1560-1609), portion from "Diana and Endymion", 19th century, oil on canvas, Italian School painting depicting two putti in a landscape, apparently unsigned with Rich's

KPM (German) Hand Painted Porcelain Plaque, After Annibale Carracci "Il Silenzio", H 13" W 10" | Extremely faint signatures in the lower left and right. After Annibale Carracci (Italian, 1560 - 1609),

(17th century) Naaman Washing in the Jordan, unsigned, inscribed verso panel "A. Carracci" (Annibale Carracci, Italian,  1560-1609), oil on canvas, 11-1/8 x 7-7/8 in.; unframed

Annibale Carracci. (Italian, 1560-1609). The Appearance of Christ to St. Peter. Antique Steel Engraving on Wove Paper after the Original Painting by Master Engraver Henry Robinson (English, 1796-1871)

Two framed vintage engravings after Annibale Carracci (Italian, 1560-1609). Each depicting figures in a landscape setting. Artist identification: An.Carac, engraved at the lower left corner of the eng

WORKSHOP OR SCHOOL OF ANNIBALE CARRACCI Before 3 November 1560 Bologna - 15 July 1609 Rome THE LAST COMMUNION OF SAINT JEROME Oil on canvas (relined). 87,5 x 54,5 cm (F. 109 x 76 cm). Part. old rest.,

Annibale Carracci Italian/Bologna/Rome 1560 yr 16th Cent. Man Singing. Sanguine drawing. 10.5x8. 15-16 cent. The name Annibale Carracci and dates 1506-1609 inscribed on bottom board. Period paper. Dea

Attributed to Annible Carracci, Italian-1560-1609 Penitent Madonna with Crucifix Etching 3.625x5 Italian painter, plate marked "A.C.IN" lower left, plate marked "XVII" lower right. Probably first-seco

Pair of Baroque Etchings, including: Maria Magdalene, 29, and Providentia, 27, Dom. Cunego (Italian, 18th century) after Carracci, Annibale (Italian, 1560 - 1609), circa 1772, etchings on paper, signe

Olio su tela, cm. 130x165.

Sebastian Ernandez (Spanish, active ca. 1560 - 1600). Rapier by Toledo swordsmith Sebastian Ernandez, marked along either side of the blade. Housed in a modern wooden sheath and mounted with a modern

olio su tela, W. 39 - H. 55 Cm

Early 17th C. O / C - Susannah Bathing 69 7/8" x 55 3/4" / attributed to Annibale Carracchi

Gouache on white wove paper, abstract (circle), attributed* to Jiro Yoshihara (1905-1972). Signed. 12 1/4 x 14 1/2 inches. Very good condition. Removed from frame for inspection and post-auction shipp

Gouache on white wove paper, abstract (circle), attributed* to Jiro Yoshihara (1905-1972). Signed on the reverse. 12 x 14 3/4 inches. Very good condition. Removed from frame for inspection and post-au

Black ink on thin wove paper, untitled abstract (circle), attributed to Jiro Yoshihara (1905-1972). Signed, lower right. 11 1/2 x 15 1/4 inches. Very good condition; very small hinge remnants on rever

Black ink abstract on paper, untitled (circles), attributed to Jiro Yoshihara (1905-1972). Signed. 11 x 8 3/8 inches. Very good condition. Slight hinge remnants to reverse. Currently unframed for auct

An Attic Red-Figured Skyphos Fragment with a Dog Attributed to the Circle of Brygos Painter, Circa 480 B.C. Height 3 1/8 inches (8.1 cm). Collection from an Important Midwestern Scholar Provenance: Ro

Man with the Gilt Hemet, after Rembrandt Van RijnMicro-mosaic depiction of 'Man with Gilt Helmet, now attributed to the Circle of Rembrandt van Rijn.23in.x 18 1/2in. (58cm. x 47cm).Framed: 26in. x 32

"River and Trees Landscape" attributed to Claude Lorrain, (1600-1682). Pen and brown ink, gouache. Mid 17th century. On laid paper, without a visible watermark. The drawing measures 10.75" x 7.75" In

attributed to Studio or Circle of Francesco di Giorgio (Italian 1439 - 1502), Angel Holding a Drape, tempera and oil glaze and gold on gessoed panel, 11.5 x 6 inches, Predella fragment from a Madonna

12-Light Smoke Blue Glass Semi-Circle Panel Chandelier, attributed to Fontana Arte, manufactured in Italy circa 1950s, mounted on a brass ring frame with brushed and polished finishes. Completely rest

Attributed to: Claude Lorrain (French b.1600 -d.1682). Titled: “A Mediterranean Seaport at Sunrise” Medium: Oil on Panel, vintage frame. Image Size: 27-3/8” x 31-1/4" (without frame). Condition: