ART, BERTHA (ATTRIBUTED), Flemish (1859 -1934),

Harold Broadfield Warren (1859-1934) Mullein Plant, 1900 signed and dated "Harold B Warren 1900" lower left watercolor, 11 3/4 by 8 in. This work was included in the Smithsonian Institution's "Bicente

Harold Broadfield Warren (1859-1934) Coastal Landscape, 1900 signed and dated "Harold B Warren 1900" lower right watercolor, 6 3/4 by 9 1/2 in. This work was included in the Smithsonian Institution's

Francis Henry Richardson (1859-1934) Shoals - 1893 gouache, 13 x 25 in., signed

Oil on canvas 13 x 9 3/4 in. Robert Scheffer was born in Vienna in 1859. He was trained by the painters Griepenkerl, Wurzinger, Leopold Müller and Ferdinand Keller. His works are among others to be f

(pair) French Art Nouveau walnut armchairs, attributed to Louis Majorelle (French, 1859-1926), c.1900s, whiplash line frame, carved ivy leaf crest, upholstered back and seat, rising on curved legs, we

Art Nouveau walnut extension table, attributed to Louis Majorelle (1859-1926). Measures 50" x 50" closed, 29" high, 25" from floor to bottom of apron.

Attributed to Pierre Alexandre Poitevin (1782-1859) Attributed to Pierre Alexandre Poitevin (1782-1859) A French coastal scene at sunset oil on canvas 57.5 x 81.5cm

Reid, Robert Payton, Attributed, (British, 1859-1945) landscape painting showing a river and mountains, indistinctly signed and dated 1902, measuring 18 by 26 inches, in a modern frame measuring 24 by

Two woodcuts in colors on Japanese paper "Flemish Proverbs," 1934 and "Seven Ages," 1935 (both unframed) Both signed and dated in plate "Seven Ages": 19 1/2" x 23"

Art Nouveau rosewood writing desk, attributed to Louis Majorelle (French, 1859-1926), curved carved top, with beveled glass door cabinet to right side, ornate landscape marquetry backboard, over recta

(lot of 3) French Art Nouveau walnut side chairs, attributed to Louis Majorelle (French, 1859-1926), c.1900s, whiplash line frame, carved ivy leaf crest, upholstered back and seat, rising on curved le

French Art Nouveau walnut salon table, attributed to Louis Majorelle (French, 1859-1926), c.1900, inset fabric-wrapped top, featuring carved ivy detailing, rising on curved legs, approx 31.5"h, 34"w,

French Art Nouveau walnut salon settee/ sofa, attributed to Louis Majorelle (French, 1859-1926), c.1900s, frame with carved foliate crest, seat and back upholstered in floral brocade fabric, carved ar

Attributed to Nampeyo(Hopi, 1859 - 1942)Polacca Polychrome Canteen, ca. 1880fired clay, pigment10 1/4 x 9 1/2 x 7 1/2 in. (26.04 x 24.13 x 19.05 cm.) The Collection of Martha Hopkins Struever, 1994Pri

Attributed to Nampeyo(Hopi, 1859 - 1942)Polychrome Bowl, ca. 1910fired clay, pigmentincludes trading post sticker on side: MADE BY / NAMPEYO-HOPIheight 2 3/4 x diameter 9 1/4 in. (6.99 x 23.50 cm.) Pr

Attributed to Nampeyo(Hopi, 1859 - 1942)Polychrome Canteen, ca. 1900fired clay, pigment4 7/8 x 4 1/8 x 3 3/4 in. (12.38 x 10.48 x 9.53 cm.) The Collection of Martha Hopkins Struever, 1995Private Colle

Leon Pescheret (American 1892-1961) ''Museum of Science & Industry'' & ''St. Nicholas Chapel, Centruy of Progress Exhibition''- 3 etchings, 1933, 1934; together with Bertha Jaques (American 1863-1941)

Shipping in USA $ 150. Joe Louis Light (1934–2005) was an American painter from Dyersburg, Tennessee. His work focuses on transcendentalism, attaining spiritual or moral enlightenment, and the balan

French Art Nouveau walnut console table and mirror, attributed to Louis Majorelle (French, 1859-1926), c.1900, whiplash line frame, carved ivy leaf crest, shaped and beveled mirror plate, over table r

Attributed to David Teniers II (Flemish 1610-1690) "Peasants Making Music at an Inn", oil on copper, en grisaille, image size 11 ¼ x 8 ¾ "

Attributed to: Anthony Van Dyke (Flemish b.1599 -d.1641). Titled- St. Francis of Assisi. Medium: Oil on Panel, Cradled wood back. Image Size: 17-1/4” x 22" (without frame). Condition: good for its

Attributed to: Vladimir Yakovlev (Russian 1934-1998) abstract, gouache on paper, initialed in Cyrillic, image size 10 ½ x 14 “

The Crucifixion, Center Panel of a Triptych, oil on panel, unsigned, Beaumont Art Galleries of Chicago label verso, along with a Christies label, having a shaped tombstone top, in conforming molded go

9" Frosted Rubina Art Glass Cruet - Gold Enamel Swan and Lake Scenic D�cor - Professional Repair of Crack on Bottle's Neck - Attributed to Mt. Washington Royal Flemish Line