American Ebonized Frame 17 1/4" x 21 3/4"

American, ca. 1890. Overall 23 1/2" x 27 1/2", Rabbet 17 1/4" x 21 3/4", Molding 3 1/4".

American, ca. 1850, having naturalistic motifs. Overall 22 1/2" x 27", Rabbet 17 1/4" x 21 3/4", Molding 3".

American, ca. 1930, in the Flemish style, maker's label verso. Overall 25 3/4" x 30 1/2", Rabbet 21 3/4" x 26 1/4", Molding 2 1/4".

UNTITLED, gouache on paper or board, signed by both artists lower center and lower left respectively, sight 6 ¼ x 11 ½”, frame 17 ¾ x 21 ¾” with glass.

GOLF, 1983 color lithograph with 3-dimensional cut-out collage, signed and dated and titled and numbered 50/125 in pencil, image 8 x 11 ¾”, full margins, frame 17 ½ x 21 ¼”

Christian Jaccard TROPHEE, color block print, signed and numbered 1/5 in pencil, sheet 21 ¾ x 14 ½”, frame 24 ¼ x 17” with glass; Together with Philippe Visson LE TRAP

ARIZONA ROUND-UP, 1922, etching, signed and dated in plate lower left, plate 6 ½ x 14 ¼”, full margins, frame 17 ¼ x 21 ¾” with glass.

American, ca. 1890. Overall 7 3/4" x 9 1/2", Rabbet 4 1/4" x 5 3/4", Molding 2".

American, ca. 1930, having wave and ripple form. Overall 24 1/2" x 29", Rabbet 17 3/4" x 21 3/4", Molding 3 1/4".

SADDLE, 1970, soft-ground color etching, signed and dated and titled in pencil, numbered 33/100, plate 17 ¼ x 21 ¾”, sheet 22 x 29 ¾”.

DARK CHANGE 5, 1970, color woodblock print, signed, dated, titled and numbered 1/60 in pencil, image 19 ½ x 14 ¾”, full margins, frame 21 ¾ x 17 ¼”.

James Arthur Godwin ScottAmerican, 1931-2015Landscape with RapidsWatercolor on paperSigned lower left. Autumnal view of river rapids, matted behind glass, ebonized frame.Sight: 14 1/2 x 21 1/2 in. (36

STONEWALL, woodblock print, signed and titled in pencil, image 11 ¼ x 7 ¾”, full margins, frame 21 ¼ x 17 ¾” with glass.

American c-1900's Blakelock Frame Retail Gallery Price: $ 110,500 Rabbet Size: 17 x 14 in. Sight Size: 16.25 x 12.75 in. Overall Framed Size: 23 x 21 in. (14-008) Provenance: The Historic Period Frame

UNTITLED #7, 1991, acrylic painting and marker on paper, possibly signed on verso, image 14 x 14”, frame 21 ¾ x 21 ¾” with Plexiglas. Provenance: Kiyo Higashi Gallery, Los An

CHESS, color screenprint, signed and numbered 76/100 in pencil, sheet 17 ½ x 15 ¾”, frame 23 ¼ x 21 ¾” with glass.

GIRL OF VIGNONE, oil painting on canvas, signed and titled on verso, DuMouchelles auction label on back, 14 x 12”, frame 21 ¾ x 19 ¾ x 2 ¾”.

24 1/4" x 17 3/4" Frame Containing Arrowheads, Authentic Native American Arrowhead

American, ca. 1880, bright lemon gold with stenciling and ebonized panel, matches lot 164. Rabbet: 14" x 17" Overall Dimensions: 20.5" x 23.5" Molding Width: 3.75"

American, ca. 1880, bright lemon gold with stenciling and ebonized panel, matches lot 163. Rabbet: 14" x 17" Overall Dimensions: 20.5" x 23.5" Molding Width: 3.75"

American, ca. 1870, having fluted ogee and laurel and berry top edge. Overall 22 1/4" x 24 3/4", rabbet 15 1/4" x 17 3/4", molding 3 3/4".

American, ca. 1890. Overall 19" x 21 1/2", Rabbet 14" x 17", Molding 2 1/2".

WHITE NOISE, color mezzotint etching, signed in pencil, from the numbered edition 195, plate 8 x 10”, full margins, frame 21 ¼ x 22 ¾” with glass.

Maine And Vermont Town Scenes, Two Watercolors On Paper, Both Signed Lower Left, Larger Dated 1972, Sights 10 X 13.5 And 6.5 X 10.25 Inches, Both In Wood Frames, 17 X 21 And 14 X 18 Inches, Not Examin