AFTER THOMAS SHOTTER BOYS (BRITISH, 1803-1874)

Venice". Monogrammed lower right. Raydon Gallery, New York label affixed verso. Thomas Shotter Boys (British, 1803 - 1874). From a Greenwich, CT home. Dimensions: Sight - 6" high x 9" wide. Condition:

Thomas Shotter Boys (British, 1803-1874) Seascape unsigned oil on canvas 23.13 x 28.5 cm (9 1/8 x 11 1/4 in). framed 37 x 42.25 x 6.2 cm. (14 3/5 x 16 3/5 x 2 4/9 in.) For further information on thi

Thomas Shotter Boys, British, 1803 to 1874, hand colored lithograph titled The Strand, 1842. Printed by Charles Joseph Hullmandel, British, 1789 to 1850. Matted and framed. Thomas Shotter Boys was an

《 The street under the bridge 》 Watercolour on paper （ Thomas Shotter Boys ， 1803-1874 ， UK ）

Thomas Shotter Boys (English 1803-1874)- ''Belfry, Ghent''; ''The South Porch of Chartres Cathedral''; ''Hotel de la Tremouille, Rue Des Bourbonnes''; ''Saint Chapelle''; ''By Loke, Ghent''; ''Westmin

Thomas Shotter Boys (English, 1803-1874), 1842, set of four colored lithographs depicting various locations in London, including the Strand, St. Dunstan, St. Paul and Temple Bar, 11 1/2" x 15 1/2" sig

Thomas Shotter Boys, (2) London lithographs, Thomas Shotter Boys (English 1803-1874), "Board of Trade Whitehall & C. from Dowing Street", 1842, 17.25"h x 13"w (sight), 25.25"h x 20.5"w (frame size) an

Thomas Shotter Boys, (2) London color lithographs, Thomas Shotter Boys, (English 1803-1874), "Picacadilly Looking Towards the City", 13"h x 17.5"w (sight), 20.25"h x 25.5"w (frame size),& "Guildhall",

Thomas Shotter Boys, London color lithograph, Thomas Shotter Boys, (English 1803-1874), "London from Greenwich", 12"h x 17.5"w (sight), 25.5"h x 24.25"w (frame size), matted and framed under glass Pro

A hand colored lithograph on paper titled "S. Porch Of Chartres Cathedral," signed in the plate lower right "J. Boys 1839." Dimensions: 20.5" H x 17.25" W framed, 14" H x 11" W mat opening. Provenance

Vintage print, THE BANK, LOOKING TOWARDS THE MANSION HOUSE, after Original Views of London 1842, by artist and lithographer Thomas Shotter Boys. Depicts The Mansion House which was the official reside

Views of London As it is Thomas Shotter Boys lithographed 1954 and British Field Sports Illustrated, French prints

Three British prints, including: hand-colored etching by Thomas Rowlandson (English, 1756-1827), titled Cart Race, signed and dated 1788; together with two lithographs by Thomas Shotter Boys &

Twenty-Four Thomas Shotter Boys lithographs, circa 1954. They measure 14.75-in. x 19.625-in. sheet size. Offset, but with vivid color and are in VG-EX/EX-EX+ condition. Unframed, loose and not mounted

An original antique print depicting THE CUSTOM HOUSE from Original Views of London As It Is by the artist and lithographer Thomas Shotter Boys. From a ca. 1880 lithograph made after the 1842 original.

Large Folio Lithograph Published 1842, London for "Original Views of London As It Is" by Thomas Shotter Boys. Abbey Scenery: 239. Paper Size: 22 x 17.5 inch (56 x 44cm) Trimmed and mounted to thick ca

Boys, Thomas Shotter. HOTEL DE SENS, PARIS. Lithograph with hand coloring, 1839. 14 5/8 x 10 1/2 inches; 372 x 262 mm. Please note that this lot has a confidential reserve. When you leave a bid in adv

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

Thomas Sidney Cooper (British, 1803-1902) 'Sheep', 1880 Oil on canvas Signed and dated TSidney Cooper RA 1880, lower left

Thomas Sidney Cooper (British, 1803-1902) Cattle In Water- France, Oil On Canvas. Back marked "T.S. Cooper, Painted in 1841, Cattle in Water- France. J.B. 1846." As framed 28.25W x 23.75H x 2.5D in. S

Thomas S. Cooper, British (1803-1902) Oil on canvas "Cattle In A Pastoral Landscape" Signed lower right. Light crease in center with minor losses. Measures 16" x 24", frame 20-3/4" x 28-3/4". Shipping

Thomas Sidney Cooper (British, 1803-1902). "Landscape with Donkey and Sheep", oil on canvas, signed lower right "JF Herring / T S Cooper" indicating Cooper was painting a copy of a Herring. Provenance

British School oil painting on canvas depicting a hunting scene with a white horse and dogs while a storm approaches, signed "TSC" to lower left, possibly Thomas Sidney Cooper (British, 1803-1902), ci

Thomas Sidney Cooper (British 1803-1902), 20 " x 16" oil on canvas, 24"x28" framed overall Cattle Drinking at Day's End, signed lower left and dated 1841