After Pietro Perugino, The Virgin

After PIETRO PERUGINO (Italian, circa 1450-1523), The Virgin, watercolor and colored pencil, (Approximate dimensions - sheet: 16 x 12 inches, framed: 28.5 x 24.5 inches); writing located lower right.

Framed print depicting the oil on wood painting by Pietro Perugino (1446-1523) "Marriage of Joseph & Mary", also known as Sposalizio. Housed under glass in a shadow box - type frame and embellished wi

Painting on gesso plaque showing the portrait of a saint with landscape in the background. In the manner of Pietro Perugino showing in the lower center a label and description on the back. The work me

KPM-Style Porcelain Plaque of Francesco delle Opere ca. 1900, after a portrait by Pietro Perugino (1448-1523), the rear of the carefully painted plaque marked "Portrait: P. Vannucci di Brugino", in a

Francesco Cecchini (Italian, 1711-1811) , "Six Prophets and Six Sibyls", chromolithograph, after Pietro Perugino (Italian, 1446-1523), sheet 22 1/4 in. x 26 1/2 in., framed

Two (2) miniature portraits after Elisabeth Vigee Lebrun and Pietro Perugino. 1st item: After Pietro Perugino, detail of The Madonna Worshipping the Christ Child; miniature rectangular watercolor on w

Framed print depicting the oil on wood painting by Pietro Perugino (1446-1523) "Marriage of Joseph & Mary", also known as Sposalizio. Housed under glass in a shadow box - type frame and embellished wi

after Pietro Vannucci / Perugino (Italian, 1450-1523), La Madonna del Sacco20th century oval painting on celluloid, after the Italian Master's oil on panel piece now located in the Palazzo Pitti, Flor

Pietro Aquila "Virgin Mary in Glory" Antique Print, etching depicts the Virgin Mary in Glory, along with Saint Clare, Saint Philip Neri, Saint Charles Borromeo, Saint Francis of Assisi, Saint Peter th

Pietro Vannucci, known as Perugino (or his circle) Head of a Boy Print, Pietro Vannucci, genannt Il Perugino (oder Umkreis) Portrat eines Junglings, Print on paper measures approx 17 by 22 inches.

PIETRO ROSELLI (Venice circa 1700-circa 1771 Venice) The Virgin and Child Appearing to Saints Sebastian and Roch. Pen and brown ink on cream laid paper, double-sided. 251x147 mm; 9¾x5¾ inche

olio su tela, W. 137 - H. 98 Cm

(Napoli, 1732 - 1806) Allegoria della Fortezza Olio su tela, cm 148X148 Provenienza: Roma, Christie's, 4 dicembre 1991, lotto 153 Pietro Bardellino è da considerarsi il più talentuoso allievo di Fra

Grande camino con struttura in ceramica smaltata policroma e piano in marmo. Firma originale. Faenza, Italia, 1950 ca. cm 220x30x110

(Napoli, 1732 - 1806) Allegoria della Prudenza Olio su tela, cm 148X148 Vedi scheda al lotto precedente. Provenienza: Roma, Christie's, 4 dicembre 1991, lotto 153 Bibliografia di riferimento: C. Loren

MINIATURE STATUE OF THE VIRGIN MARY, CIRCA 1935 Depicting the Madonna, standing at prayer, with head bowed, her robe and halo of hammered finish on the reverse, the wooden prototype of similar design,

Lampada da terra mod. 1098, Fontana Arte anni '40. Ottone verniciato - Domus febbraio 1938; F. Deboni, "Fontana Arte", Torino 2012, fig. 103 e 105 - altezza cm 220

Pietro Chiesa (Milano 1892 - Parigi 1948) Rare floor lamp. Execution by Fontana Arte, Milan, 1940ca. Mahogany wood base and shaft, brass rod, satin glass and fabric shade. Bevelled crystal flower vase

A Large Italian Micromosaic Plaque of Piazza San Pietro 19th Century in a modern giltwood frame. Plaque: 9 5/8 x 17 7/8 inches. This lot is located in Chicago.

(Venezia, 1628 - 1679) Sansone e Dalila Olio su tela, cm 107X130 Provenienza: Collezione privata Ricondotto al catalogo di Pietro Negri da Giorgio Fossaluzza, il dipinto recava un'attribuzione ad Anto

Valencian School; around 1600."Virgin with Child"Oil on canvas.Has a tear in the canvas.It has a frame following old models.Measures: 151 x 105 cm; 175 x 117 cm (frame)A look of tenderness between the

olio su tela, W. 110 - H. 85 Cm

14th century A.D. A large carved limestone statue of standing Virgin Mary carrying infant Jesus on her raised left arm; wearing a high crown with flowers and a veil, beautifully carved oval-face with

Old Master painting of Virgin Mary in prayer,19th/20thc possibly earlier. The stretcher is similar to 18th century European stretchers, and the painting appears to have been relined about 60 years ago