AFTER HANHART BIRDS OF PARADISE OFFSET PRINT

Offset reproduction after Wolf & Smit. Dimensions: (Frame) H 33" x W 28", (Sight) H 24" x W 19" Condition: Some light age toning to paper. Couple marks to frame.

Offset reproduction after Wolf & Smit. Dimensions: (Frame) H 33" x W 28", (Sight) H 24" x W 19" Condition: Some light age toning to paper. Couple marks to frame.

Offset after Wolf & Smit. Dimensions: (Frame) H 28.75" x W 23.5", (Sight) H 24.5" x W 19.75" Condition: Very slight toning to paper. Couple marks to frame.

Kiki Smith (*1954), contemporary New York artist, ''Bird'', offset print after a drawing with collaged glassine paper parts on wove paper (papier vélin), 1998, in the original, typographically insc

Very Beautiful Circa late 1970's Early 1980's Japanese inspired kimono Robe with fringes. A Lush Motif of Asian inspired Flora and fauna. On a Floaty chiffon n very good vintage condition Size-S/M Res

FOUR BIRDS OF PARADISE PRINTS. 50 cm x 35 cm. (4)

Hand Colored Steel Engravings/Etchings Published 1859-62 by William Mackenzie, Edinburgh & London for "The Museum of Natural History" by John Richardson. Paper Size: 10.5 x 7 inch (27 x 18cm) Very min

Copper Plates Published 1800-26 by G.Kearsley, London for "General Zoology or Systematic Natural History" by George Shaw. Paper Size: 8.5 x 5.5 inch (24 x 16.5cm) Good Condition

Copper Plate Published 1825, Paris for "Oeuvres Completes De Buffon" by the Comte de Buffon and Bernard Lacepede. Paper Size: 8 x 5 inch (20 x 13cm) Good Condition

Hand Colored Copper Plate Published 1789-1813, London for "The Naturalist's Miscellany: or Coloured Figures of Natural Objects" by George Shaw and Frederick Nodder. With accompanying descriptive text.

Signed on verso, BATYA HALPERN, birds of Paradise, Mono print. Depicts an exotic looking bird with king feathers and multiple colors. Framed in light wooden frame with white mat board. Approximately 8

Bird of Paradise archival print on canvas h. 32 w. 40 in. overall: 42 x 50 in. ed. 276/295, signed and numbered, with COA on verso, framed

Copper Plate Published 1809 by G.Kearsley, London for "Zoological Lectures..." by George Shaw. Paper Size: 8.5 x 5.5 inch (22 x 14cm) Good Condition

J. Gould, "Phonygama Purpureo-Violacea," (Purple Bird of Paradise), 19th c., print by Mintern Bros., presented in an ebonized and mahogany frame, H.- 20 in., W.- 14 in.

Copper Plate Published 1796-1828 London for "Encyclopaedia Londinensis, or universal dictionary of arts, sciences and literature" by John Wilkes et al. Paper Size: 10.5 x 8.5 inch (27 x 22cm) Good Con

Hand Colored Lithographs Published 1828-33, Brussels for "Oeuvres completes de Buffon" by the Comte de Buffon and Louis-Jean-Marie Daubenton. Paper Size: 9.5 x 6 inch (24 x 16cm) Some toning present,

Copper Plate Published C1815, Liverpool for "A History of the Earth and Animated Nature" by Oliver Goldsmith. Paper Size: 8 x 5 inch (21 x 13cm) Toning present, otherwise fine

Woodblocks Published 1851, London for "The Natural History of the Sacred Scriptures" by W. I. Bicknell. Paper Size: 6.5 x 5 inch (16.5 x 13cm) Very minor toning in parts, Good Condition

Steel Engraving with Etching Published 1849, Paris for "Dictionnaire Universel d'Histoire Naturelle" by Charles d'Orbigny. Paper Size: 10 x 6.5 inch (25 x 16.5cm) Good Condition

James Harris | Title Of Art: Bird Of Paradise | Medium: Plate Signed Offset Lithograph | Edition Size: | Art Size: 17X31 | Framed Size: Unframed | Value: $ 250

James Harris | Title Of Art: Bird Of Paradise | Medium: Plate Signed Offset Lithograph | Edition Size: | Art Size: 17X31 | Framed Size: Unframed | Value: $ 250

Roger Tory Peterson (1908-1996)[BIRDS AND FLOWERS]Thirteen color offset prints (one duplicate), signed and numbered out of edition of 450 or 950, in pencil, eight framed.Largest sheet 21 5/8 x 14 inch

BIRD OF PARADISE, color digital archival print on canvas, signed and numbered 262/295 in gold marker, with Martin Lawrence Gallery certificate on verso, 32 x 40”, frame 44 ½ x 53”.

BIRD OF PARADISE, color digital pigment print on canvas, signed and numbered 255/295 in gold ink, 32 x 40”, framed. Provenance: Martin Lawrence Galleries.