Abe Frajndlich (b. 1946) Michael Clark, New York City,

Abe Frajndlich (b. 1946) Michael Clark, New York City, 1991, Chromogenic color photograph. Framed dimensions: h: 29 1/8 x w: 30 1/8 in. H: 16 W: 20 in.

Abe Frajndlich (German, Born 1946) gelatin silver print of original photograph, Cindy Sherman, New York City March 27, 1987, printed in 2000. Singed and dated verso. Image 5 3/4" x 5 1/2", total area

WRITER: Tim O'Brien (Austin, Minnesota, b. 1946), E.L. Doctorow (New York City, New York, 1931-2015), Thomas Keneally (Sydney, Australia, b. 1935), T. Coraghessan Boyle (Peekskill, New York, b. 1948)

Dennis Lyall (American, B. 1946) "Sylvan Dell Riverboat" New York City. Signed lower right. Original oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder

Michael Rubin New York,b. 1946 Black and white photograph depicting large sand dunes with ripple textures from the wind. Photography,Image 22 1/2" x 19",Frame 33 3/8" x 28 1/2" Signed "Michael Rubin"

"Osborne" 1971. Resin and acrylic on fabric. From a New York City collection. - Dimensions: 48" h x 32" w x 7" d.

"Results of Boys and Girls (Black Drawing III)". Jonathan Santlofer. Pastel on Paper. Label verso Pam Adler Gallery, New York City. . 44" x 29 1/2", overall 48 1/2" x 33".

(American, b. 1946) 1988 Appx. 15-1/2"h x 10-1/2"w at widest Provenance: Heller Gallery, New York; Property from a Private New York City Collection

Hugh Kepets (American, b. 1946). Large acrylic on canvas painting titled "Madison Square II" depicting a modernist view of architectural elements at Madison Square in New York City, 1979. Signed, titl

Hand Signed Figure Drawing by Russian American Artist Michael Lenson (b. 1903) in Good Condition Framed Dimensions 26" x 32" Out of New York City Estate

Michael Coleman (American, b. 1946) He Took Five Shots, 1981 gouache on paper signed Michael Coleman and dated (lower right) 11 x 14 inches Provenance: Kennedy Galleries, New York, New York Property f

"Ride with Me" by Thomas B. Costain, published by The Sun Deal press, Garden City, New York, Revised Edition, 1946, reprint of the Doubleday edition (1944). Hard boards, [some wear]; 5.3/4" x 8.1/4";

NEW YORK CITY, 2000, gelatin silver print, signed and dated and inscribed in pencil on the verso, sheet 16 x 20”, frame 21 ½ x 25 ½”. Provenance: Peter Fetterman Gallery, Santa M

HIGHLANDERS IN SQUARE AT WATERLOO 1815, 2006, oil painting on board, signed lower center, signed and titled on verso, 27 ¾ x 34 ¼”, frame 29 ½ x 36 x 2”. Provenance: P

MCGRAW WATCHING TRAVIS JACKSON HIT, 1982, oil painting on canvas, signed and dated and titled on verso, 53 x 68”, frame 54 x 69”. Provenance: OK Harris Gallery, New York City.

UNTITLED, 1978, carved alabaster with rose and purple, signed and dated, 19 ¾ x 14 x 11 ½”, with 2” marble base overall 21 ¾” tall. Oral provenance: Purchased directly

I WISH I WAS A ROBOT, 1982, Cibachrome, signed and dated and inscribed to one of the models on verso, 8 x 10", framed with glass.

MCGRAW WATCHING TRAVIS JACKSON HIT, 1982, oil painting on canvas, signed and dated and titled on verso, 53 x 68”, frame 54 x 69”. Provenance: OK Harris Gallery, New York City.; Together wi

UNTITLED, gouache on paper hinged onto card, signed in pencil on card, paper 16 ½ x 25”, sight of card 19 x 27 ½”, frame 26 x 34 ¼” with glass. Provenance: Holly Solom

Photographer: Eve Arnold was born in Philadelphia, Pennsylvania to Russian immigrant parents. She began photographing in 1946, while working at a photo-finishing plant in New York City, and then studi

Donald John Trump (AMERICAN / NEW YORK, born 1946) original acrylic painting on canvas depicting a city skyline executed circa 2004. Signed in gold by the current sitting President of the United State

SARAH AND THE CATWALK, 1988, toned gelatin silver print, signed and dated in ink on verso, 20 x 16”, frame 32 ½ x 27 ¼”. Provenance: Couturier Gallery, Los Angeles.

PROFOUND LOVE (after Utamaro), 1979, color lithograph, signed and dated and inscribed in pencil, sheet 16 ¼ x 11 ¾”, scattered foxing mainly in upper margins; SUDDEN SHOWER (after Hiroshige), 1978

SENATOR JOE MCCARTY AND ROY COHN, ink drawing on paper, image 6 ¼ x 7 ¾”, full margins, frame 9 ¼ x 10 ¾” with glass; DRUNKARD’S PROGRESS, 1998, ink draw