A 19TH CENTURY NEW HAVEN BALL FORM CLOCK

Ansonia "Diana" Mystery Swinging Arm Clock fourth quarter 19th century, New York, the brass clock with a patinated ball-form dial set with brass numerals, a pierced bowknot crest and a matching pendul

Ansonia "Arcadia" Mystery Swinging Arm Clockfourth quarter 19th century, New York, the brass clock with a green enamel ball-form dial and matching pendulum, the patinated metal female figure carrying

French Marble, Onyx, Bronze and Gilt-Metal Egypto-Revival Three-Piece Clock Set, fourth quarter 19th century, the pylon-form clock with onyx rustication and gilt-incised trim depicting lotus flowers,

French Fin-de-Siecle Gilt-Metal and Marble Mantel Clockfourth quarter 19th century, the lapis-colored, spherule-form clock set with signed Vincenti et Cie works, on a tree stump, supported by a gilt-m

Secessionist Glass and Metal Table Lamp first quarter 19th century, Continental, with a leaded polychrome glass ball-form shade, the patinated metal base with geometric patterns. h. 20-1/2", dia. 7"

Unusual Enameled Glass, Brass and Mirror-Plated Covered Drinking Horn fourth quarter 19th century, probably Bohemian, the horn enameled with grapes and grape leaves, and suspended on ball-form chains.

TWO SILVER BALL FORM STRAINERSAmerican, 19th century. One nut form with elaborately etched foliate decoration and hinged grater to the interior, likely for nutmeg, inscribed on top "Mary New Year - 18

Ansonia ROSALIND Black Enamel on Iron Mantel Clock - circa late 19th century, New York. . Black enamel on cast iron case with filigree, has a concave hourglass form with figural winged putti on the si

Assembled Egyptian Revival Clock third quarter 19th century, French, the pylon-form rusticated clock case composed of black Belgian and red griotte marble, with a vulture god on the lower edge, the ha

Restauration Rosewood and Gilt-Bronze Lyre-Form Mantel Clock, second quarter 19th century, the base decorated with a leaf-molded gilt-bronze trim holding the clock, and gilt-bronze cornucopias framing

New York, early 19th century, urn shape with melon form body, dome cover, ball finial, die-rolled bands, square handle, marks for retailer Hyde & Nevins, (New York City, working 1812-1818), maker

Three-Piece French Bronze and Champleve Clock Garniture late 19th century, made by Samuel Marti, Paris, and stamped on the back plate of the movement, the clock of temple form with a time-and-strike m

American, late 19th century, dome top with bands of engraved decoration, top form finial, interior pierced insert, three letter script monogram, marks for Ball, Black & Co. (New York City, 1851-1874),

Monumental French Patinated Bronze and Marble Clock Set fourth quarter 19th century, in the Renaissance Revival taste, the architectonic clock with a temple-form top, set with marble panels decorated

Continental Carved Walnut Artist's Lay Figure, fourth quarter 19th century, of geometric form with fully articulated ball joints, h. 22", w. 6". Provenance: The Flatt Collection.

London-Retailed French Bronze and Marble Mantel Clock fourth quarter 19th century, the base trimmed with a molded bronze laurel wreath, the clock with a column-form case set with a dial marked by the

Federal Inlaid Mahogany Tall Case Clock New Jersey, early 19th century The molded scrolled cornice with applied brass rosettes and brass ball finials above the white-painted iron dial with birds cente

New Bremen, mid-19th century, walnut. Of a form believed to be specific of this German-settled community. Retains its original finish and original porcelain knob. 13" high by 16" wide. Illustrated in

Late 19th to Early 20th century figural German Spelter swing ball mystery clock. The base in figural form, modeled after Diana, standing atop a turned painted stepped socle. The Brass swinging dial wi

A Chinese Paktong Incense Clock 19th century Of square form with pierced cover; each section finely incised with calligraphy and precious objects. Height 4 1/2 inches C

Louis XV-Style Gilt-Bronze-Mounted and Inlaid Kingwood Tall Case Clock 19th century, of bombe form, the door with an ormolu-mounted seated maiden above an inlaid figure of mixed woods, the base inlaid

Handsome French Restauration Gothic Revival Bronze Clock second quarter 19th century, with a carefully molded base decorated with trefoils and grapes, the clock set into a pierced cathedral-form facad

Regency Tortoiseshell Tea Caddy first quarter 19th century, of modified sarcophagus form, the interior fitted with a pair of lidded compartments, raised on brass ball feet. h. 6-1/4", w. 7-1/4", d. 4-

French Carved Walnut Artist's Lay Figure in the Form of a Woman, second quarter 19th century, fully articulated with brass ball joints, stamped on back "Maquette Francaise sur Armature Articulee/Breve