2 Rice, Rutter & Co Hand Colored Lithographs

MCKENNEY & HALL NATIVE AMERICAN PORTRAIT PRINT, hand-colored lithograph on paper, depicting "CHON-MON-I-CASE", / AN OTTO HALF CHIEF", published by Rice, Rutter Co. Professionally matted and housed und

Handcolored Lithograph of Native American Ioway Chief by Rice, Rutter and Co., 1855, Measures 7 x 10.25”. Free shipping for this item within the continental US.

PAIR OF ENDICOTT & CO. HAND-COLORED LITHOGRAPHS "SPERM WHALING NO. 1 - THE CHASE." AND "SPERM WHALING NO. 2 - THE CAPTURE."Circa 1859 and 1862From drawings by A. Van Best and R.S. Gifford, corrected b

19th Century..from History of the Indian Tribes of North America by Thomas McKenney..published by Rice, Rutter & Company..including Shau-Hau-Napo-Tinia, Chittee-Yoholo, Tai-O-Mah, and Oche-Finceco..in

Chicago Lithograph Co. hand-colored lithograph- University of Wooster, Ohio, designed by O. S. Kinney, some staining, repairs to paper. 21 x 25 1/2'' (sheet)

Endicott & Co.- ''Hambletonian''- hand-colored lithograph, after painting by J. A. Oertel, published by Brewster & Co., tears along bottom edge, staining throughout. 15 1/2 x 20 1/2''

Bottom of litho reads Juno, Berlin. F Sala & Co. Frame 30 1/2 x 24 1/2 inches

John James Audubon (1785 - 1851). Philadelphia: J. T. Bowen, 1839-44. Hand-colored lithographs. Approximately 27 3/4 x 21 1/2 inches. Guidance: Neal Auction Co., June 25, 2011 - $3,883.

after William Sydney Mount (American 1897-1868) ''Music is Contagious''- hand-colored lithograph, published by Goupil, Vibert & Co., NY. 17 1/2 x 21''

V. De Pareles, large hand-colored lithograph, interior with Benjamin Franklin. "Published by E.J. Schwab M&G Co". [Sight: 19 1/2" x 29 1/2"; Frame: 27 3/4" x 37 3/4"]. Mildew on matte. Unexamined out

Lot of 2 Hand-Colored Endicott Lithographs Crab & Lobster, 19th c., printed by the Endicott Lithographic Co. of N.Y. (EAST2407/2){AC} Property Title: From a Manhattan Collector Measurements:Sight: 10

Laflin and Rand Powder Co. Print Passaic Powder Mills, 1875 hand-colored lithograph, 14 1/2 by 23 in "Fred. Mayer Gen'l Lith. 96&98 Fulton St. NY" lower right This view of the powder mills in Passaic,

George Catlin (American, 1796-1872) Buffalo Dance, Plate 8, 1844-1845 hand-colored lithograph unsigned 12" x 17 1/2"

Published by EB & EC Kellogg (Hartford, CT), matted and framed, not examined out of frame. Visible image: approx. 12 1/2" x 8 3/4". Frame: approx. 17 1/2" x 12 1/2".

Currier & Ives (American, 1835-1907) Burning of the Steamship "Golden Gate" July 27. 1862. hand colored lithograph 8 1/8" x 12 1/2"

Two early 19th c hand colored lithographs of fungi, both with printed pages, on W Balston & Co 1815 watermarked paper, both matted, unframed, 18 1/4" x 12 1/2"

Hand colored lithograph laid on canvas by Horace Thayer & Co., NY, showing map surrounded by vignete scenes from American history. 43 1/4" x 30 1/2" with original ebonized wood hangers.

University of Pennsylvania' hand colored lithograph on paper published by W. T. Little & Co., New York, 1910. After a 1904 painting by Richard Rummelly. Frame size: 22 1/2" H x 36" W x 1 1/4" D. Sight

"Artic Jager" hand colored Royal Octavo Edition plate 453 by J.T. Bowen after the original by J.J. Audubon. Matted and framed. Visible image: approx. 8 3/4" x 5 1/2". Frame: approx. 16 1/4" x 12 5/8".

h. 25-1/2 w. 40 in. overall: 36 x 48-1/2 in. (frame) bird's-eye view of Brooklyn, N.Y. by Benjamin Franklin Smith, Junr. Del.; hand colored engraving, published by Smith, Fern & Co., N.Y. Provenance:

N. Currier, (2) hand-colored lithographs, c. 1850, Nathaniel Currier (American, 1813-1888), "New York Crystal Palace" and "Custom House, New York", each matted and framed under plexiglass, approx. 9.2

LOT (2) HAND COLORED LITHOGRAPHS, 19TH CENTURY INCLUDING JOHN JAMES AUDUBON RED HEADED WOODPECKER, 10 1/4 X 6 1/2"; E. LEAR, LETTERED ARACARI, 19 1/2 X 13 1/2"

Hand colored prints are approx 8 3/8" x 10 1/4"

Two hand colored 19th century lithographs of pompei fresco paintings, published in Napoli. Dimensions: H 12.5" x W 9.5" Condition: Some toning in margins, light abrasions in black backgrounds.