19th C Trumeau Manner Claude J Vernet (1714-1789)

Manner of Claude Joseph Vernet (1714-1789) French, Oil on canvas. Unsigned gilt trumeau frame. Overall size: 44 x 35 in. Sight size: 22 x 27 1/2 in.

After Claude Joseph Vernet (French, 1714-1789) large antique framed print laid on canvas, 19th century, titled "La Mort D'Hippolyte" depicting the death of Hippolytus capturing the final moment where

(French, 1714-1789) Moonlit Harbor, 19th century, unsigned, oil on canvas, 22 x 26-3/4 in. (oval); oval gilt wood and composition frame,. Condition: crackle, some stretcher marks, slightly yellowed va

Manner of Claude-Joseph Vernet (French, 1714-1789) 18th Century A Rowing Party in a Harbor at Sunset oil on canvas 23 x 36 1/2 inches. Provenance: DuMouchelles, Detroit, 1976 Property from the Collect

Three late 18th c. depictions of glaciers in the Swiss canton of Bern Made by different artists under the supervision of Claude-Joseph Vernet (French, official painter to Louis XVI; 1714-1789), and de

JEAN-JACQUES LE VEAUFrance, 1729-1786"Rue des Environs de Bayonne", after Claude-Joseph Vernet (Italy/France, 1714-1789). Inscribed lower right "J. Le Veau".Colored engraving on paper, 13" x 17". Fram

After Claude Vernet (1714-1789): L'Entrée à l'Ecurie Engraving with hand-coloring on wove paper. 20 x 25 1/4 in. (sight), 22 x 27 1/2 in. (frame). The Collection of Mary B. Schwab, Stoneleig

American or English, late 19th century. Manner of J.L. Mott Iron Works, large Victorian era cast iron garden iron having scrolled handles, body decorated with cranes in a marshy landscape, spreading s

Attr. Claude-Joseph Vernet (1714 - 1789) coastal landscape with figures. Oil on canvas. Appears to be unsigned. has not been examined out of the frame. Inscribed verso. Sight Size: 19 x 36.75 in. Over

Oil on canvas, circa 1760, attributed to School of Claude Vernet (French, 1714-1789), of a landscape with a castle and a boat in the foreground. [Art: 22 x 17 inches; Frame: 25 1/2 x 19 3/4 inches]. C

School of Claude Joseph Vernet, French, ( 1714-1789). Port scene. Inscription in LRC on barrel. Oil on canvas. Frame: H 46-1/8" W 52-1/2". Canvas: H 38-1/4" W 45-1/4". Condition: Excellent condition.

Studio of Claude Joseph Vernet (Avignon 1714-1789 Paris) Fishermen returning at noon oil on canvas 99.1 x 137.1cm (39 x 54in). Footnotes: The present work is after Vernet's original, now in The

Follower of Claude Joseph Vernet (Avignon 1714-1789 Paris) A harbour scene with fishermen Oil on canvas 50.5 x 65.4cm (19 7/8 x 25 3/4in). This lot is subject to the following lot symbols: * *

Follower of Claude Joseph Vernet (Avignon 1714-1789 Paris) Nocturne Oil on canvas, laid on board 52 x 62.5cm (20 1/2 x 24 5/8in). For further information on this lot please visit Bonhams.com

Clodion (manner), bronze group, 19th c., Manner of Michel Claude Clodion (France, 1738-1814), Child Bacchus Astride Goat, parcel gilt and brown patinated cast bronze, nicely cast, no signature observe

Claude-Joseph Vernet (French, 1714-1789). Unsigned oil on board of a landscape, attributed to Claude-Joseph Vernet, with label on verso "Painted in 1780 by Vernet." Crazing and minor paint loss, damag

School of Claude-Joseph Vernet (French, 1714-1789), A Southern Port at Sunsetoil on canvas, unsigned, presented in a molded giltwood frame. Stretcher size 21 1/4 x 28 3/4 in. Frame dimensions 27 1/2 x

After Claude Vernet's painting (French, 1714-1789) and after Philibert-Louis Debucourt's engraving (French, 1765-1832), "L' Arrivee", color lithograph on paper published by Ponte Vecchio (Italy, 20th

Antique engraving after French18th century artist Claude Joseph Vernet (French, 1714-1789), "Le Coup De Vent" or "The Gust of Wind," depicting a Mediterranean fishing scene with figures, boats and ant

After Claude Joseph Vernet (French, 1714–1789), Peche Heureuse, engraving by A. ZinggHand-colored engraving after the original painting by Vernet, framed.14 x 15 3/4 inches

Exceptional Pair of Gilt-Bronze and Mother-of-Pearl Candelabra first quarter 19th century, in the manner of Claude Galle, French, the standards depicting "Victory" perched on a sphere, supporting a ro

American Late Classical Mahogany and Marble-Top Center Table second quarter 19th century, in the manner of J. & J. W. Meeks, the serpentine marble top over a conforming frieze with foliate carving, on

Three-Piece American Neo-Renaissance Oak Parlor Suite fourth quarter 19th century, in the manner of R. J. Horner, New York, consisting of an open-arm settee with a padded and tufted three-section back

Suite of Eight American Late Victorian Oak Dining Chairs fourth quarter 19th century, in the manner of R. J. Horner, comprised of a pair of armchairs, h. 50-1/4", and six sidechairs, h. 48-1/4", each