Parian statue of Ruth by William Theed, c1880.
19 inches high, 6 inches wide
Age crack on the bottom base continuing underneath partly. One handle of urn missing(broken off). Bottom edge discolored, a little rough, reside of varnish and grime.

From wiki: William Theed, also known as William Theed, the younger (1804 - 9 September 1891) was an English sculptor, the son of the sculptor and painter William Theed the elder (1764-1817). Although versatile and eclectic in his works, he specialised in portraiture, and his services were extensively used by the Royal Family.

Theed was born in Trentham, Staffordshire. Initially trained by his father, Theed the younger worked for several years in the studio of EH Baily the sculptor, and on 15 January 1820 was admitted to the Royal Academy Schools. In 1826 he went to Rome.In Rome, Theed is believed to have studied under Danish sculptor Bertel Thorvaldsen and Italian Pietro Tenerani, as well as John Gibson and Richard James Wyatt. Here he worked in marble creating statues and busts, including those for the Duke of Lucca and the Prince and Princess of Capua. In 1844–5, after nearly 20 years in Rome, he received a commission from Prince Albert, then the prince consort, who had asked John Gibson (now a close friend of Theed) to send designs for statues to be placed in Osborne House. Two designs by Theed were accepted, Narcissus at the Fountain and Psyche Lamenting the Loss of Cupid both in marble.

Theed returned to London in 1848 and soon established a highly successful professional practice. He is known to have married, assumed to be around this time, a woman called Mary and had a son Edward, both listed in the 1881 census. In 1851 he displayed three pieces at the Great Exhibition, the most notable a marble of The Prodigal's Return, a life-size piece, elaborately carved. From London he made further pieces for the prince consort, including a series of mythological reliefs for the reception rooms of Buckingham Palace. Another notable piece for the Royal Family was a series of twelve bas-reliefs illustrating scenes from Tudor history, this time in bronze, which were made for the Prince's chamber in the Palace of Westminster.

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