[Asian Art Reference Books] Thirty-Three Books Pertaining to Chinese Paintings, Calligraphy, Pottery, Furniture, and Other Decorative Arts and Asian Art in General, incl. Max Loehr, The Great Painters of China, 1980; Shane McCausland, ed., Gu Kaizhi and the Admonitions Scroll, 2003; Willow Wei Lan Hai Chang, Passion for the Mountains: Seventeenth Century Landscape Painting from the Nanjing Museum, 2003; Jonathon Chaves, The Chinese Painter as Poet, 2000; D. Page Shaver, ed., The Life of a Patron: Zhou Lianggong (1612-1672) and the Painters of Seventeenth Century China, 1997; Maggie Bickford, Bones of Jade, Soul of Ice: The Flowering Plum in Chinese Art, 1985; Mai-mai Sze, The Tao of Painting: A Study of the Ritual Disposition of Chinese Painting, 1956, 2 vols.; Tseng Yuho Ecke, Poetry on the Wind, 1981; Joseph Veldich, The Ten Bamboo Studio: A Chinese Masterpiece, 1979; Abe Capek, Chinese Stone Pictures, 1962; Roger Goepper, The Essence of Chinese Painting, 1963; Ju-hsi Chou, Phoenix Art Museum, Scent of Ink: The Roy and Marilyn Papp Collection of Chinese Painting, 1994; Ju-hsi Chou and Claudia Brown, Phoenix Art Museum, Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting, 1989; Ju Hsi-Chou, Phoenix Art Museum, Journeys on Paper and Silk: The Roy and Marilyn Papp Collection of Chinese Painting, 1989; Alfreda Murck, Poetry and Painting in Song China: The Subtle Art of Dissent, 2000; Jean Francois Billeter, The Chinese Art of Writing, 1990; Wen Fong, Sung and Yuan Paintings, 1973; Susan Bush, The Chinese Literati on Painting: Su Shih (1037-1101) to Tung Ch'i-ch'ang (1555-1636), 1971; Wu Hung, The Double Screen: Medium and Representation in Chinese Painting, 1996; Eli Lancman, Chinese Portraiture, 1966; C.C. Wang, The Chinese Institute in America, Album Leaves from the Sung and Yuan Dynasties, 1970; Henry Trubner and Hsia-yen Shih, Individualists and Eccentrics: The Finlayson Collection of Chinese Paintings, 1963; Sherman E. Lee, Chinese Landscape Painting, 1977; Gordon B. Leitch, Chinese Rugs, 1935; A Decade of Collecting: An Exhibition Celebrating the 10th Anniversary of the Asian Art Museum of San Francisco, The Avery Brundage Collection, Winter, 1976-Spring, 1977; Jessica Rawson, Chinese Ornament: The Lotus and the Dragon, 1984; The Chinese Exhibition, A Pictorial Record of the Exhibition of Archeological Finds of The People’s Republic of China; 1975; Margaret Medley, The Chinese Potter, 1976; John Alexander Pope, Chinese Porcelains from the Ardebil Shrine, 1956; C. P. FitzGerald, Barbarian Beds: The Origin of the Chair in China, 1966; Joseph Hejzlar, Early Chinese Graphics, 1973; Sherman E. Lee, A History of Far Eastern Art, 4th ed., 1982; and Barbara Brend, Islamic Art, 1991. Provenance: Most from the Estate of William Lipton, New York

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