Henri Manguin Impressionist Watercolor/paper
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Description
Attributed Henri Manguin, it does not have a COA. Medium: watercolor/paper. 21.5 x 19.5 inches. Provenance: private owner.
Biography: Henri Manguin was born in Paris on March 23, 1874 and entered the Ecole des Beaux-Arts. Like Henri Matisse and Charles Camoin, with whom he became close friends, he studied under Gustave Moreau.Like his companions, Manguin made copies of Renaissance art, which were bought by the State and placed in the Louvre. Manguin was very much influenced by Impressionism as seen in his use of bright pastel hues.He married in 1899 and made numerous portraits of his wife, Jeanne, and their family.In 1902, Manguin had his first exhibit at the Salon des Independants and Salon d'Automne. Many of his paintings were of Mediterranean landscapes and came to represent the height of his career as a Fauve artist. He traveled extensively with Marquet throughout Southern Europe. In 1949, Manguin left Paris to settle in Saint-Tropez.Museum Collections Include:Toulouse Lautrec Museum, Albi; Hermitage Museum, St. Petersburg; Museum of the Annunciation, St. Tropez; Museum of Art, Winterthur; Musee des Augustins, Toulouse; University of Arizona Museum of Art; National Museum of Modern Art, Tokyo; Museo del Siglo XIX, Valencia.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Biography: Henri Manguin was born in Paris on March 23, 1874 and entered the Ecole des Beaux-Arts. Like Henri Matisse and Charles Camoin, with whom he became close friends, he studied under Gustave Moreau.Like his companions, Manguin made copies of Renaissance art, which were bought by the State and placed in the Louvre. Manguin was very much influenced by Impressionism as seen in his use of bright pastel hues.He married in 1899 and made numerous portraits of his wife, Jeanne, and their family.In 1902, Manguin had his first exhibit at the Salon des Independants and Salon d'Automne. Many of his paintings were of Mediterranean landscapes and came to represent the height of his career as a Fauve artist. He traveled extensively with Marquet throughout Southern Europe. In 1949, Manguin left Paris to settle in Saint-Tropez.Museum Collections Include:Toulouse Lautrec Museum, Albi; Hermitage Museum, St. Petersburg; Museum of the Annunciation, St. Tropez; Museum of Art, Winterthur; Musee des Augustins, Toulouse; University of Arizona Museum of Art; National Museum of Modern Art, Tokyo; Museo del Siglo XIX, Valencia.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Condition
Mint
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Henri Manguin Impressionist Watercolor/paper
Estimate $1,800 - $3,200
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