Bada Shanren - Painting of Flower and Bird
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Description
L: 26 3/8 in(67cm) W: 15 3/4 in(40cm)
Bada Shanren, born Zhu Da (1626–1705) was a Han Chinese painter of ink wash painting and a calligrapher. He was of royal descent, being a direct offspring of the Ming dynasty prince Zhu Quan who had a feudal establishment in Nanchang. Bada Shanren, a purported child prodigy born to a handicapped father, began painting and writing poetry in his early childhood. About the year 1644, when the Ming emperor committed suicide and the Manchu army from the north attacked Beijing, the young Han Chinese man sought refuge in a vihara. Because he was a Ming prince, the dynastic upheaval created a great amount of uncertainty for his position in society. As years passed and the Manchurian court became more firmly established, there was less and less insecurity among the Qing regime about remaining Ming loyalties and possible future rebellions. Due to these more stable circumstances, after 40 years, Bada Shanren deemed it acceptable to leave the monastery and to re-enter day-to-day life among society. Zhu Da abandoned his monastic life and developed a career as a professional painter, adopting a series of descriptive pseudonyms, most notably Bada Shanren by which he is most often known today. His paintings feature sharp brush strokes which are attributed to the sideways manner by which he held his brush.
Bada Shanren, born Zhu Da (1626–1705) was a Han Chinese painter of ink wash painting and a calligrapher. He was of royal descent, being a direct offspring of the Ming dynasty prince Zhu Quan who had a feudal establishment in Nanchang. Bada Shanren, a purported child prodigy born to a handicapped father, began painting and writing poetry in his early childhood. About the year 1644, when the Ming emperor committed suicide and the Manchu army from the north attacked Beijing, the young Han Chinese man sought refuge in a vihara. Because he was a Ming prince, the dynastic upheaval created a great amount of uncertainty for his position in society. As years passed and the Manchurian court became more firmly established, there was less and less insecurity among the Qing regime about remaining Ming loyalties and possible future rebellions. Due to these more stable circumstances, after 40 years, Bada Shanren deemed it acceptable to leave the monastery and to re-enter day-to-day life among society. Zhu Da abandoned his monastic life and developed a career as a professional painter, adopting a series of descriptive pseudonyms, most notably Bada Shanren by which he is most often known today. His paintings feature sharp brush strokes which are attributed to the sideways manner by which he held his brush.
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Bada Shanren - Painting of Flower and Bird
Estimate $600 - $1,000
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