Giovanni Boldini Italian Macchiaioli Oil Portrait
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Description
Oil on cardboard, framed. Featuring a portrait of a woman. Signed Boldini on the lower left corner. Some damage on the upper right corner. Inscribed GHRT on the upper left corner. Attributed to Giovanni Boldini (1841-1931, Italian). 70 x 50 cm (27.6 x 19.7 inches). Framed size: 82 x 62 cm (32.3 x 24.4 inches)
Giovanni Boldini (1842-1931) was an Italian painter best known for his realistic portraits and signature swirling brushstrokes. Like his contemporary John Singer Sargent, Boldini often depicted high society figures of Europe and England in glamorous settings, such as the pearl-laden young opera singer in Portrait of Lina Cavalieri (1901). Born on December 31, 1842 in Ferrara, Italy, he went on to study painting in Florence and became influenced by the Macchiaioli group—landscape painters who combined Realist and Impressionist techniques. Boldini went on to live as an established portraitist in London before moving permanently to Paris in 1872, where he befriended artists such as Edgar Degas. Boldini died on July 11, 1931 in Paris, France. Today, his works are in the collections of The Metropolitan Museum of Art in New York, the National Gallery of Modern Art in Rome, the National Portrait Gallery in London, and the Musée d’Orsay in Paris, among others.
Giovanni Boldini (1842-1931) was an Italian painter best known for his realistic portraits and signature swirling brushstrokes. Like his contemporary John Singer Sargent, Boldini often depicted high society figures of Europe and England in glamorous settings, such as the pearl-laden young opera singer in Portrait of Lina Cavalieri (1901). Born on December 31, 1842 in Ferrara, Italy, he went on to study painting in Florence and became influenced by the Macchiaioli group—landscape painters who combined Realist and Impressionist techniques. Boldini went on to live as an established portraitist in London before moving permanently to Paris in 1872, where he befriended artists such as Edgar Degas. Boldini died on July 11, 1931 in Paris, France. Today, his works are in the collections of The Metropolitan Museum of Art in New York, the National Gallery of Modern Art in Rome, the National Portrait Gallery in London, and the Musée d’Orsay in Paris, among others.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Giovanni Boldini Italian Macchiaioli Oil Portrait
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