Fiorenzo Tomea Italian Modernist Oil on Board
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Description
Oil on board. Featuring a landscape scene of coast and pathway. Signed Tomea on the lower right corner. Attributed to Fiorenzo Tomea (1910-1960, Italian). 22 x 29.5 cm (8.75 x 11.5 in). Frame: 24 x 31.5 cm (9.5 x 12.25 in). PROVENANCE: Southern Ontario estate
Fiorenzo Tomea (1910-1960) was an Italian painter. Tomea studied at the Cignaroli Academy in Verona, where he met Giacomo Manzù and Renato Birolli, in the period 1926–27. Having moved to Milan, he came into contact with Edoardo Persico, who invited him to exhibit his work at the Galleria del Milione in 1931. His focus was primarily on landscape and still life. The second half of the 1930s saw the first marks of official recognition, including a gold medal at the 1st Mostra del Sindacato Interprovinciale Fascista di Belle Arti di Milano in 1937. He joined the Corrente group and presented work with them at the Milan Società per le Belle Arti ed Esposizione Permanente in 1939. The Venice Biennale devoted a room exclusively to Tomea’s work at the 23rd Esposizione Internazionale d’Arte della Città di Venezia in 1942. His painting concentrated on landscapes of the Cadore area in the post-war years. He was the runner-up for the Marzotto Prize in 1954 and won the Michetti Prize at Francavilla del Mare in 1958.
Fiorenzo Tomea (1910-1960) was an Italian painter. Tomea studied at the Cignaroli Academy in Verona, where he met Giacomo Manzù and Renato Birolli, in the period 1926–27. Having moved to Milan, he came into contact with Edoardo Persico, who invited him to exhibit his work at the Galleria del Milione in 1931. His focus was primarily on landscape and still life. The second half of the 1930s saw the first marks of official recognition, including a gold medal at the 1st Mostra del Sindacato Interprovinciale Fascista di Belle Arti di Milano in 1937. He joined the Corrente group and presented work with them at the Milan Società per le Belle Arti ed Esposizione Permanente in 1939. The Venice Biennale devoted a room exclusively to Tomea’s work at the 23rd Esposizione Internazionale d’Arte della Città di Venezia in 1942. His painting concentrated on landscapes of the Cadore area in the post-war years. He was the runner-up for the Marzotto Prize in 1954 and won the Michetti Prize at Francavilla del Mare in 1958.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Fiorenzo Tomea Italian Modernist Oil on Board
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