Alberto Giacometti Swiss Modernist Mixed Media
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Description
Mixed media on paper. Featuring a portrait. Signed Alberto Giacometti on the lower left corner. label affixed to verso inscribed Alberto Giacometti (1901-1966, Swiss). Stamped Galerie Mathias Fels PARIS on verso. Attributed to Alberto Giacometti (1901-1966, Swiss). 29.7 x 21 cm (11.75 x 8.25 in)
Alberto Giacometti (1901-1966) was a Swiss artist known for his totemic sculptures of elongated human figures. Giacometti established himself through works such as Head-Skull (1934), which explored psychology and death through stylized forms. “All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time,” he once mused. “Memories of works of art blend with affective memories, with my work, with my whole life.” Born in Borgonovo, Switzerland on October 10, 1901 to a family of artists, including his father the Post-Impressionist painter Giovanni Giacometti and his brother the sculptor Diego Giacometti. He went on to study painting and sculpture at the École des Arts Industriels in Geneva before moving to Paris in 1922. In Paris, he studied sculpture under Antoine Bourdelle and befriended Surrealists Man Ray, Joan Miró, and André Breton. Following the horrors of World War II, the artist became fascinated by his friend Jean-Paul Sartre’s Existentialist writings, and began his seminal Walking Man series of sculptures. By the 1960s, Giacometti had achieved worldwide recognition, receiving the top prize at the 1962 Venice Biennale and a major retrospective at The Museum of Modern Art in New York in 1965. He died on January 11, 1966 in Chur, Switzerland. In 2015, the artist’s Pointing Man (1947), sold at auction for a record-breaking $142.8 million. Today, Giacometti’s works are held in the collections of the J. Paul Getty Museum in Los Angeles, the Tate Gallery in London, the Solomon R. Guggenheim Museum in New York, and the Kunsthaus Zürich, among others.
Alberto Giacometti (1901-1966) was a Swiss artist known for his totemic sculptures of elongated human figures. Giacometti established himself through works such as Head-Skull (1934), which explored psychology and death through stylized forms. “All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time,” he once mused. “Memories of works of art blend with affective memories, with my work, with my whole life.” Born in Borgonovo, Switzerland on October 10, 1901 to a family of artists, including his father the Post-Impressionist painter Giovanni Giacometti and his brother the sculptor Diego Giacometti. He went on to study painting and sculpture at the École des Arts Industriels in Geneva before moving to Paris in 1922. In Paris, he studied sculpture under Antoine Bourdelle and befriended Surrealists Man Ray, Joan Miró, and André Breton. Following the horrors of World War II, the artist became fascinated by his friend Jean-Paul Sartre’s Existentialist writings, and began his seminal Walking Man series of sculptures. By the 1960s, Giacometti had achieved worldwide recognition, receiving the top prize at the 1962 Venice Biennale and a major retrospective at The Museum of Modern Art in New York in 1965. He died on January 11, 1966 in Chur, Switzerland. In 2015, the artist’s Pointing Man (1947), sold at auction for a record-breaking $142.8 million. Today, Giacometti’s works are held in the collections of the J. Paul Getty Museum in Los Angeles, the Tate Gallery in London, the Solomon R. Guggenheim Museum in New York, and the Kunsthaus Zürich, among others.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Alberto Giacometti Swiss Modernist Mixed Media
Estimate $3,000 - $5,000
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