Hans Hartung French-German Abstract Ink '67
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Description
Ink on paper. Featuring an abstractionist composition. Signed on the lower right corner and inscribed 67. Attributed to Hans Hartung (1904-1989, French-German). 26 x 29 cm (10.2 x 11.4 inches). PROVENANCE: Upper New York estate
Hans Hartung (1904-1989) was a French-German artist known for his lyrical abstractions and involvement in the Art Informel movement. Hartung’s idiosyncratic paintings and lithographs were created with distinctive swirls, scribbles, and hatch marks, he made by scratching, erasing, and reapplying pigment. “The first and most important thing is to remain free, free in each line you undertake, in your ideas and in your political action, in your moral conduct,” he once stated. “The artist especially must remain free from all outer restraints.” Born on September 21, 1904 in Leipzig, Germany, Hartung studied philosophy and art history at Leipzig University but left before graduating to study art at academies in Dresden, Leipzig, and Munich. Moving to Paris in the late-1920s, the artist joined the French Foreign Legion and was later imprisoned by the Gestapo during World War II, both for serving in a foreign army and his “degenerate” painting style. After the war, Hartung became associated with the artists Jean Fautrier and Pierre Soulages, who had also adopted a spontaneous and gestural style free from rigid formal constraints. Hartung’s work would go on to have a significant impact on American abstract painters during the early 1960s, including Helen Frankenthaler and Sam Francis. The artist died on December 7, 1989 in Antibes, France. Today, his works are held in the collections of the Tate Gallery in London, The Museum of Modern Art in New York, the National Gallery of Australia in Canberra, and the Hirshhorn Museum and Sculpture Garden in Washington, D.C., among others.
Hans Hartung (1904-1989) was a French-German artist known for his lyrical abstractions and involvement in the Art Informel movement. Hartung’s idiosyncratic paintings and lithographs were created with distinctive swirls, scribbles, and hatch marks, he made by scratching, erasing, and reapplying pigment. “The first and most important thing is to remain free, free in each line you undertake, in your ideas and in your political action, in your moral conduct,” he once stated. “The artist especially must remain free from all outer restraints.” Born on September 21, 1904 in Leipzig, Germany, Hartung studied philosophy and art history at Leipzig University but left before graduating to study art at academies in Dresden, Leipzig, and Munich. Moving to Paris in the late-1920s, the artist joined the French Foreign Legion and was later imprisoned by the Gestapo during World War II, both for serving in a foreign army and his “degenerate” painting style. After the war, Hartung became associated with the artists Jean Fautrier and Pierre Soulages, who had also adopted a spontaneous and gestural style free from rigid formal constraints. Hartung’s work would go on to have a significant impact on American abstract painters during the early 1960s, including Helen Frankenthaler and Sam Francis. The artist died on December 7, 1989 in Antibes, France. Today, his works are held in the collections of the Tate Gallery in London, The Museum of Modern Art in New York, the National Gallery of Australia in Canberra, and the Hirshhorn Museum and Sculpture Garden in Washington, D.C., among others.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Hans Hartung French-German Abstract Ink '67
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