Mixed Media on paper. Featuring a landscape composition scene. Signed Rauschenberg on the lower left corner. Stamped on top right corner and inscribed in pencil R-49 on top left corner, verso. Attributed to Robert Rauschenberg (1925-2008, American). 21.5 x 20 cm (8.5 x 7.8 inches). PROVENANCE: Southern Ontario estate

Robert Rauschenberg (1925-2008 was a prominent member of the American Post-War avant-garde. The artist’s sculpture-painting hybrids known as Combines, broke through the two dimensionality of the canvas at a time when Abstract Expressionism dominated the scene. His seminal Neo-Dada work, Erased de Kooning (1953), consisted of ritualistically wiping out an original drawing he purchased from the famed painter. “I don't really trust ideas, especially good ones,” he once said. “Rather I put my trust in the materials that confront me, because they put me in touch with the unknown.” Born Milton Ernest Rauschenberg on October 22, 1925 in Port Arthur, TX, he was drafted into the Navy during World War II where he served as medical technician in San Diego. After the war, he used the GI Bill to travel to Paris to study at the Académie Julian, where he met his future wife Susan Weil. He and Weil went on to attend the Black Mountain College in North Carolina alongside John Cage and Merce Cunningham. Have settled in New York in 1949, Rauschenberg began questioning the nature of painting through works such as Bed (1955) and Monogram (1955–1959), which utilized commercial imagery and mass produced objects. Many of the artist’s ideas foresaw the emergence of Andy Warhol and Pop Art in the 1960s. The artist died on May 12, 2008 in Captiva, FL. Today, Rauschenberg’s works are held in the collections of the Tate Gallery in London, The Museum of Modern Art in New York, the Walker Art Center in Minneapolis, and the Kunstmuseum Basel, among others.

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Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

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In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

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American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).