Pencil on paper, framed. Featuring a neo-expressionist portrait. Signed BASQUIAT on the lower right corner with inscribed crown above signature. Label inscribed ANNINA NOSEI GALLERY / 100 Prince Street, New York 10012 / Tel.:431-9253 / Jean-Michel Basquiat / UNTITLED DRAWING c. 1986 / 17.5 x 11.5 inches on verso. A certificate inscribed the following: Cutout of the verso reveals a certificate stated as such: Authentication Committee of the estate of Jean-Michel Basquiat / Datae: September 25, 2001. re: Title Untitled / Date 1986 / Medium: Colored pencil / Size: 17.5 x 11.5 / Transaciton Number: t067 / Dear / This will certify that the Authencitation Committee of the Estate of Jean-Michel Basquiat has examined the work identified above, and is of the opinion that it is a genuine work by Jean-Michel Basquiat. / The foregoing is merely an opinion is based upon an inspection of the work and the circumstances known to the committee at this time. It is not a warranty of any kind, neither the estate of Jean-Michel Basquiat, the Committee, nor any of its members, nor any of their successors, employees, agents or representativess, shall have any liability whatsoever to anyone by reason of the foregoing opinion. / Sincerely / Estate of Jean-Michel Basquiat / Basquiat (signature) / Gerard Basquiat / Administrator of the Estate and / Chairman of the Authentication Committee and seal on verso. Attributed to Jean-Michel Basquiat (1960-1988, American). 44 x 29 cm (17.3 x 11.4 inches). PROVENANCE: Private American collection (Flushing, New York)

Jean-Michel Basquiat (1960-1988) was an influential African-American artist who rose to success during the 1980s. Basquiat’s paintings are largely responsible for elevating graffiti artists into the realm of the New York gallery scene., his spray-painted crowns and scribbled words, referenced everything from his Haitian and Puerto Rican heritage, to political issues, pop-culture icons, and Biblical verse. The gestural marks and expressive nature of his work not only aligned him with the street art of Keith Haring and Kenny Scharf, but also the Neo-Expressionists Julian Schnabel and David Salle. “If you wanna talk about influence, man, then you've got to realize that influence is not influence,” he said of his process. “It's simply someone's idea going through my new mind.” Born on December 22, 1960 in Brooklyn, NY, Basquiat never finished high school but developed an appreciation for art as a youth, from his many visits to the Brooklyn Museum of Art with his mother. His early work consisted of spray painting buildings and trains in downtown New York alongside his friend Al Diaz. The artist’s tag was the now infamous pseudonym SAMO. After quickly rising to fame in the early 1980s, Basquiat was befriended by many celebrities and artists, including Andy Warhol, with whom he made several collaborative works. At only 27, his troubles with fame and drug addiction led to his tragic death from an overdose on August 12, 1988 in New York, NY. The Whitney Museum of American Art held the artist’s first retrospective from October 1992 to February 1993. In 2017, after having set Basquiat’s auction record the previous year with a $57.3 million purchase, the Japanese billionaire Yusaku Maezawa surpassed it, buying the artist’s Untitled (1982) at Sotheby's for $110.5 million. This set a new record for the highest price ever paid at auction for an American artist's work. Today, Basquiat's works are held in the collections of The Museum of Modern Art in New York, the Rubell Family Collection in Miami, and the Museum of Contemporary Art in Los Angeles, among others.

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).