Fernando Botero b. 1932 Colombian Pencil on Paper
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Description
Color pencil on paper. Featuring a rotund female figure playing an four-string guitar. Signed and attr. Fernando Botero (b. 1932, Columbian). 8.7 x 5.9 in. (22 x 15 cm).
Drawing inspiration from a diverse array of influences, from Renaissance masters such as Giotto and Paolo Uccello to the 20th-century Abstract Expressionist movement, Fernando Botero’s signature style is characterized by the use of rotund figures and inflated forms. His 1961 work Mona Lisa, Age 12 exemplifies his use of the dynamic brushwork typical of Abstract Expressionism, although used to depict the figure rather than for pure abstraction. In addition to employing techniques from major movements, Botero’s paintings frequently emulate the subject matter and compositions of past masters, his bulbous renderings of these familiar images often interpreted as gestures of irony or caricature. The rounded appearance of Botero’s painted figures is mirrored in his sculptural work, usually fabricated in bronze at a large scale and often displayed in public. PROVENANCE: Southern Ontario estate
Drawing inspiration from a diverse array of influences, from Renaissance masters such as Giotto and Paolo Uccello to the 20th-century Abstract Expressionist movement, Fernando Botero’s signature style is characterized by the use of rotund figures and inflated forms. His 1961 work Mona Lisa, Age 12 exemplifies his use of the dynamic brushwork typical of Abstract Expressionism, although used to depict the figure rather than for pure abstraction. In addition to employing techniques from major movements, Botero’s paintings frequently emulate the subject matter and compositions of past masters, his bulbous renderings of these familiar images often interpreted as gestures of irony or caricature. The rounded appearance of Botero’s painted figures is mirrored in his sculptural work, usually fabricated in bronze at a large scale and often displayed in public. PROVENANCE: Southern Ontario estate
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Fernando Botero b. 1932 Colombian Pencil on Paper
Estimate $3,000 - $6,000
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