Painting,"Arab Sheik and Staff" Adolph(f)Schreyer, 19th century.Great condition, in magnificent museum quality 19th century frame.Painting 31" x 44.5" in a frame 46" x 59".Previously in the Collection of the Walker Art Center in Minneapolis and was part of the TB Walker Art Collection.Previously sold at Morton's Auction Exchange New Orleans, LA Dec. 10 and 11 1982 lot number 364 ex. Walker Art Center, Minneapolis.Bears an old plaque: "T.B.Walker Collection".////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////(From Wiki):"Thomas Barlow Walker (February 1, 1840 – July 28, 1928) was a highly successful American business magnate who acquired lumber in Minnesota and California and became an art collector. Walker founded the Minneapolis Public Library. He was among the ten wealthiest men in the world in 1923.[1] He built two company towns, one of which his son sold to become part of what is today known as Sunkist. He is the founder and namesake of the Walker Art Center.T. B. Walker was the son of Platt Walker and Anstis Keziah (Barlow) Walker (1814–1883), a sister of New York State Senator Thomas Barlow (1805–1896).[2] He was born in Xenia, Ohio, in 1840, where in 1849 he got his first job in a bakery cutting biscuits.[1] He had accompanied his parents and siblings west from New York when his father died of cholera in 1849 at Westport, Missouri, on their way to the California gold fields to seek their fortune.[3][4]Harriet G. Walker, wife, mother of eight children and president of Northwestern HospitalIn 1854, his mother married Oliver Barnes and in 1855 his family moved to Berea, Ohio, where while traveling for Fletcher Hulet,[5] he was able to study mathematics intermittently and Newton's Principia[5][6] at Baldwin University. When he finished college at age 19, he filled a contract in Paris, Illinois for railroad ties. He then taught school and then became a traveling salesman of grindstones.[2] He is remembered as a man of "strong opinions" who would not eat grapefruit and who slept with a pistol under his pillow.[1] His brother Platt Bayless Walker II founded Mississippi Valley Lumberman, a magazine.[3] He had another brother and two sisters: Oliver W. Barnes, Adelaide B. Walker, and Helen M. Walker.[3]Walker married his college classmate and boss's daughter Harriet Granger Hulet in 1863.[4] They had eight children and lived in Minneapolis[4] at first in a home on the east side rented for $9 per month.[7] Their children were Gilbert M. (1864–1928), Julia A. (1865?–1952?), Leon B. (1868–1887), Harriet (1870–1904), Fletcher L. (1872–1962), Willis J. (1873–1943), Clinton L. (1875–1944), and Archie D. (1882–1971).[3] The Walkers celebrated their 50th wedding anniversary in 1913.[8] One of Walker's grandson's was Olympic hurdler Walker Smith.[9]ForestryFrom a man in Iowa,[5] Walker heard good things about Minneapolis, Minnesota, and moved there in 1862.[4] He arrived at Saint Paul where he met and sold grindstones, once to James Jerome Hill, then employed as a clerk who carefully sorted them for the buyer.[5] Within one hour of his arrival in Minneapolis, he was hired as a chainman[3] to George B. Wright, who was surveying federal pine lands in the north of the state.[4] He became a deputy surveyor within a few days.[5] His application to become assistant professor in mathematics at the University of Wisconsin had been accepted but he loved his new career and turned it down.[5] Walker worked for twelve years on government surveys and on surveys for the St. Paul and Duluth Railroad.[2] His work took him away from home for long periods,[4] and it gave him intricate knowledge of what property to buy in northern Minnesota.[3] He began to acquire pine land in 1867, but without capital of his own, he partnered at first with Dr. Levi Butler and Howard W. Mills and later with others.[5]With George A. Camp, in 1877 Walker bought the Pacific Mill,[3] a sawmill constructed in 1866 at the foot of 1st Avenue North on the Mississippi River in Minneapolis, which they owned for ten years before dissolving their partnership amicably.[10]Red River Lumber Company (RRLC) was founded in 1883 and incorporated the following year.[3] His oldest sons Gilbert and Leon[11] became partners with Walker[12] and the company built more mills in Crookston, Minnesota and at Grand Forks, Dakota Territory.[3] He developed the town and built a mill at Akeley, Minnesota, which was named for his business partner, Healy C. Akeley.[3] By 1902, four of his sons were involved in his businesses, and one was still in school.[13]He was concerned about forest conservation and wrote an article for the National Magazine about what had become the "forestry question". During his lifetime, he gave papers to the Conservation Commission, the U.S. Forestry Department, the U.S. Interior Department and to the U.S. House Ways and Means Committee for their consideration for a tariff on lumber. He gave a presentation on conservation to the Minnesota Academy of Science.[2]MinneapolisMinneapolis Public Library in the early 1900sHe had to spend months up north, but finally returned to Minneapolis in 1881 intending to build up the city.[4] Walker said, "St. Paul had the wholesale trade, the retail trade, the railroads and the banks. We tried five years to arrange an amicable interest in building up the industries of both cities."[4] He and others tried to lure a factory from the east but was double-crossed when Saint Paul, at the time a rival, ended up with both the eastern and the Minneapolis factories.[4] He and his friends also invested in the Midway area but the city of Saint Paul annexed it.[4]Minneapolis Central Library in 2006One of 41 libraries in the Hennepin County system, Walker Community Library was built on land Walker donated.[14]Walker built the commercial market in Minneapolis, renowned at the time, into the best produce market in the U.S.[2] He is also "primarily responsible" for building the Minneapolis Public Library system, first with donations and as a stockholder[5] in the Athenaeum Library Association and later with public property tax.[2] He eventually overcame opposition to the idea of a free public library.[15] Walker was a director and president of the library board from its founding in 1885 until he died in 1928.[3]Four-fifths[2] of the art displayed at the library came from his own collection which he had started to collect in 1874 when he purchased a copy of a portrait of George Washington by Rembrandt Peale for the library of his new home.[3][16] He was particularly interested in creating a public art gallery, a museum, and the Minneapolis Art School.[2]He became president of the Business or Businessman's Union, which formed in 1883 for fifteen years.[4] They chose to build up land west of Minneapolis for their industrial site, to avoid any possibility of Saint Paul annexing the land.[4] According to Walker, "some of the men in the union who liked changes made a social club of it, in the Guaranty Loan Building [known as the Metropolitan Building, since demolished]. This practically closed out the Business Union."[4]Walker Galleriesold photo of house and additionsWalker home at 803 Hennepin Avenue, MinneapolisWalker built his first house in Minneapolis in 1870, at Ninth Street and Marquette Avenue.[3] In 1874 he built a mansion at 803 Hennepin Avenue.[3] A gallery was open to the public six days a week beginning in 1879 to display his paintings, porcelain, bronzes, jades, ancient and modern high-grade glass, carved crystals, ancient Chinese carved snuff-boxes and ivory carvings.[2] Visitors had to ring at the front door until the home was expanded.[16] The house and its eight additions covered nearly a city block[1] but were later demolished to build a complex that includes the State Theatre.[3]His paintings included 15 American landscapes,[17] 103 portraits of Native American chiefs, medicine men and warriors, and 24 portraits of renowned cowboys, scouts and guides,[18] alongside traditional works by Raphael, Rembrandt, Holbein, Ingres, Titian, Bonheur, Turner and Michelangelo and dozens of other artists.[19] Some of these paintings proved to be fakes and some were genuine—certainly, a landscape by Frederic Edwin Church sold for $8.5 million in a 1989 Sotheby's New York auction.[6]Walker Art Center in 1941, opened in 1927In 1915 Walker purchased the 3.5-acre (0.014 km2) Thomas Lowry property[1] on Groveland Terrace including the present Walker Art Center. In 1917 Walker moved into the Lowry Mansion but it was demolished in about 1932.[3] By 1915 the Walker Galleries on 803 Hennepin had 14 rooms, and had about 100,000 visitors each year.[3] In 1926, Walker completed building a new gallery next door to the Lowry Mansion on the site of the present Walker Art Center which opened in 1927. Built by local architects, Long and Thorsov, the original Walker Art Center building stayed open until it was demolished in 1969 to make way for a new building by Edward Larrabee Barnes.[3]The T. B. Walker Collection (1907)[19]Speaking of the 25 to 30 people who founded the Minneapolis Society of Fine Arts, Donald Torbert wrote:"Today it is impossible to assess, with anything approaching justice, the worth of the individual contributions, because each person was indispensable. But two, by reason of their energy and position in the community, played leading roles and through their accomplishments left a permanent imprint on the art life of the community. They were William Watts Folwell and Thomas Barlow Walker."[20]During the early 20th century, Walker published catalogs of his art collection[19] which he wanted to give to the city of Minneapolis.[3] He presented the deeds to his collection and 3.5 acres (0.014 km2) of land to the library board in 1918.[18] According to the Minnesota Historical Society, the city refused the gift.[3]Today, the Art Gallery at Hennepin Avenue United Methodist Church has several paintings from Walker's collection.Walker wanted to build a large public library and an arts and sciences institution but the city failed to provide financial support[21]—the Minnesota legislature authorized bonds for $500,000 but only half of them sold.[1] For five years,[22] the city negotiated with Walker but never reached mutual satisfaction, and in 1923 he rescinded the offer.[1] Folwell wrote in his A History of Minnesota, "Walker wisely followed his independent course".[16] Walker Galleries, Inc., was incorporated in 1924, and the T. B. Walker Foundation of today was founded in 1925 to "own and manage the collection and gallery".[3]Most of his collection was given away or sold to buy modern works.[23] A gallery across the street at Hennepin Avenue United Methodist Church holds several of the works in his collection by 16th- and 19th-century European masters, which Walker donated to decorate the Sunday school.////////////////In 1886, with Calvin Goodrich, Jr. and Henry Francis Brown, Walker founded the Minneapolis Land and Investment Company and became its president.[4] By 1888, the company advertised 12,000 lots on their 1,700 acres (6.9 km2), just west of the city limits near Bde Maka Ska, with the industry "in the marsh". Residential lots were 22 feet (6.7 m) wide, so that developers could build a garden in every other lot. The Industrial Circle exists today at Dakota and Walker Streets in St. Louis Park, Minnesota, near the intersection of Highway 7 and Louisiana. Daniel J. Falvey, the village roadmaster, graded the roads. Walker built about 100 Walker Houses between 1888 and 1900 for his workers to rent at $9 to $14 per month.[24] Around this time, Walker was the richest man in Minnesota.[7] About 50 of the houses remained in 1999 in the Edgebrook neighborhood.[24]The Panic of 1893 left Walker owning and paying taxes on many unsold lots[24] and his partners departed, assigning their land to Walker. In 1913 he owned about 600 or 700 of 2,000 acres (8.1 km2) but the land was worth less than he had paid for it. Walker then turned his attention to the Pacific coast. He used money made there to pay off his unsold lots in Minnesota.[4] His dream of a large downtown St. Louis Park disappeared in twelve years, but to that end he had built a Methodist church (which later burned),[25] the Walker/Syndicate[26] building (still standing),[27] the St. Louis Park Hotel (which the village later demolished),[28] The Great Northern Hotel (which later burned down)[28] and a streetcar line to Minneapolis.[4] According to the St. Louis Park Historical Society, Walker could be seen "giving out food during the Depression, but people shied away from him and even despised him".[4] The E.H. Shursen Agency sold the last lot during the 1930s.//////////////////////////T. B. Walker died at his home in Minneapolis in 1928. He was buried at Lakewood Cemetery, Minneapolis.[29]His wife died in 1917 while accompanying Walker on a business trip to New York.They were both buried in Lakewood.Walker was among the 15 or so wealthiest persons in the world when he died.[6]A portrait of T. B. Walker in 1915 by Carl Boeckman, acquired at some time since 1940, was on display at the Walker Art Center from November 21, 2009 until August 15, 2010.[30] In the Walker's recent collection, Walker appears in Lost Forty (2011), a huge tapestry by Goshka Macuga picturing a tract of unlogged land in the Chippewa National Forest.[31]Westwood, CaliforniaLeft to right: Fletcher, Willis, Archie, T.B., Gilbert and Clinton Walker in 1907. He also had daughters, Julia, and Harriet who died in 1904. Leon, another son, died in 1887.Walker started to acquire northerneastern California land in 1894. In 1909 he bought property near Mountain Meadows, California. In 1912 RRLC signed an agreement with the Southern Pacific Railroad giving them the right to build a line and exclusive right to haul lumber.[4] RRLC may have owned 900,000 acres (3,642 km2) of timberland in California,[3] or about 1% of the area of the state, by the time Walker retired c. 1912.About 1912[3] RRLC built a mill and the company town of Westwood, California.[4] Westwood included houses, apartments, dormitories, hotels, a community center, a department store, churches, and a theater.[4] All utilities were company-owned.[4] The men had the “Westwood Club” to themselves but for the first 20 years no liquor was sold.[4]About this time, Walker retired from RRLC which his sons Gilbert, Fletcher, Willis, and Archie then ran. Walker grew "increasingly frustrated" that he couldn't control the business by himself.[3] The Minnesota Historical Society notes that his sons didn't always see "eye to eye" with each other or with Walker.Walker’s youngest son Archie Dean Walker was first secretary (1908–1933) and then president (1933–c. 1956) of RRLC.[4] Archie was Minneapolis-based and during his tenure on November 30, 1944, the Westwood mill and town were sold to the Fruit Growers Supply Company, the buying arm of today’s Sunkist.Walker's many business ventures and associations included the Crookston Boom and Water Power Company, the International Lumber Company in Minneapolis, the Metropolitan Trust Company in Minneapolis, the Minneapolis Central City Market Company, the Minneapolis Esterly Harvester Company, the Minnesota and Dakota Elevator Company in Minneapolis, the National Lumber Convention in Washington, D.C., the Northern Minnesota Log Driving & Boom Company, the Northwestern Elevator Company in Minneapolis, Pacific Investment Company, and the Waland Lumber Company. Walker was president of the Flour City National Bank in Minneapolis from 1887 to 1894. He was one of the incorporators of Edison Light & Power Co.[32] He was one of the managers of the State Reform School in Saint Paul.[5] He was involved in the Panama-Pacific International Exposition in San Francisco in 1915.[3]Walker was a trustee of the Hennepin Avenue Methodist Episcopal Church (now known as the Hennepin Avenue United Methodist Church in Minneapolis), a member of the Executive Committee of the Methodist Episcopal General Conference in Minneapolis, and a president of the Minneapolis Methodist Church Extension Society. He was a member of the executive committee of the See America League, a president of Walker Galleries, Inc., a president and a trustee of the Minneapolis Society of Fine Arts, president of the Minnesota Academy of Natural Sciences and its successor, the Minnesota Academy of Science where he donated boxes of specimens,and a trustee of the Young Men's Christian Association (YMCA) of the City of Minneapolis."

Great overall condition.(From Wiki):" Adolf Schreyer (July 9, 1828 Frankfurt-am-Main – July 29, 1899 Kronberg im Taunus) was a German painter, associated with the Düsseldorf school of painting. He studied art first at the Städel Institute in his native town, and then at Stuttgart and Munich. He painted many of his favourite subjects in his travels in the East. He first accompanied Maximilian Karl, 6th Prince of Thurn and Taxis through Hungary, Wallachia, Russia and Turkey; then, in 1854, he followed the Austrian army across the Wallachian frontier. In 1856 he went to Egypt and Syria, and in 1861 to Algiers. In 1862 he settled in Paris, but returned to Germany in 1870; and settled at Cronberg near Frankfurt, where he died. Schreyer was, and is still, especially esteemed as a painter of horses, of peasant life in Wallachia and Moldavia, and of battle incidents. His work is remarkable for its excellent equine draughtsmanship, and for the artist's power of observation and forceful statement; and has found particular favour among French and American collectors. Of his battle-pictures there are two at the Schwerin Gallery, and others in the collection of Count Mensdorff-Pouilly and in the Raven Gallery, Berlin. His painting of a Charge of Artillery of Imperial Guard was formerly at the Luxembourg Museum. The Metropolitan Museum, New York owns three of Schreyer's oriental paintings: Abandoned, Arabs on the March and Arabs making a detour; and many of his best pictures are in the Rockefeller family, Vanderbilt family, John Jacob Astor, William Backhouse Astor, Sr., August Belmont, and William Walters collections. At the Kunsthalle in Hamburg is his Wallachian Transport Train, and at the Staedel Institute, Frankfort, are two of his Wallachian scenes."////////////////////////////////////////////////////////////////////////////////David Killen Gallery and it’s staff does it’s best to determine whether items are fake or real.However, we remove hundreds of items from estates in NYC every week as well as take in consignments and cannot guarantee authenticity on every item.Anyone considering bidding on an items unsure of it’s authenticity should consult an expert before bidding.The identification of an artist, designer or period in the description should not be taken as a guarantee of any kind.The descriptions we write are opinions only and should be taken as such.We do guarantee precious metals and precious stones.