Japanese Woodblock Print, 1941, published by Jacoulet

SIZE IN INCHES: print: 4.25 x 6.25 inches

PAUL JACOULET'S (1902-1960) creative period was 1939-1960. Jacoulet is considered one of the few western artists to have mastered the art of woodblock printing sufficiently to be recognized in Japan. His works are almost all of people, either portraits or full body images capturing some background details. He has had a number of exhibits in the years since his death including two at the Pacific Asia Museum in Pasadena (1983 and 1990), the Yokohama Art Museum (1996 and 2003), the Riccar Museum in Tokyo (1982), and the Isla Center for the Arts on Guam (1992 and 2006). He also achieved some recognition in his lifetime including an exhibit sponsored by the US Fifth Air Force (in 1946 according to Time Magazine). Two complete catalogues of his woodblock prints exist (one in English and one in Japanese with some English) as well as exhibition books and posters from all his exhibits. The earliest book about him was written during his lifetime (Wells, 1957) and includes the original desperation prices for which he sold his work at that time. Many prints are very rare because all of JacouletÂ’s pre-World War II work that had not already been taken out of the country by collectors was destroyed by fire. Jacoulet was a true renaissance man—French but born and raised in Japan, expert in Kabuki, proficient on traditional Japanese musical instruments, a good calligrapher, conversant in several languages, and a recognized butterfly collector. Growing up in Tokyo he was the next door neighbor of ukiyo-e authority Yone Noguchi; he was taught English by Noguchi's American wife, Leonie Gilmour, and befriended their son, the young Isamu Noguchi. Jacoulet's father was an ambassador, so Paul was well traveled at a young age. He was doted upon by his mother, who supported his artistic endeavors all her life. She believed that if French Polynesia was good for Paul Gauguin, then Jacoulet must go there too. She sent him away many winters from Japan to various islands in Micronesia, Indonesia, and the Philippines. Although his most valued works are from this part of the world, he also has a substantial number of prints with subjects from China, Korea, all areas of Japan, and Mongolia. Just one print depicts an American.

Fine, no flaws