Oil on stretched canvas, featuring seated woman. Italian Cubist School, signed Modigliani, possible signature Amedeo Modigliani on lower right corner, bearing signature of Amedeo Modigliani. 55 x 42 cm (21.7 x 16.5 inches). PROVENANCE: Private European estate.

Italian painter and sculptor Amedeo Modigliani (1884-1920) is celebrated for his iconic portraits, which, with often mask-like faces and striking blue-eyes, have become iconic works of the early 20th century. Inspired by Existentialist philosophy and a rejection of his bourgeois childhood, Modigliani chose not to paint landscapes, like many of his contemporaries, instead using portraiture to explore both his own psychology and that of his subjects, who were typically fellow artists or lovers. Modigliani also painted highly sexualize female nudes that at the time, were daringly erotic. His style is figurative but also highly expressive, and his subjects are shown with quirks and asymmetries, recalling the portraiture of Paul Cezanne, whose work Modigliani greatly admired. Modigliani befriended Pablo Picasso after moving to Paris in 1906, and like Picasso, he drew inspiration from art of so-called "primitive" cultures, his work often resembling African or Pre-Columbian statuary.

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).