Oil on board, framed. Featuring an abstract expressionist composition. Signed and attr. Sandu Darie (Cuban, 1908-1991) on the lower right corner. 24 x 31.5 cm (9.4 x 12.4 inches). Frame size: 40 x 48 cm (15.8 x 18.9 inches). Romanian-born artist Sandu Daríe was initially trained as a lawyer, but his exposure to the Romanian intelligentsia resulted in his choice of a painting career. After studies in Paris, Darié moved permanently to Havana in 1941. His works evince the basic tenets of Concrete art, a combination of planes, primary colors and form fused with geometric rigor stimulated by Piet Mondrian's Neoplasticism. His most innovative works include irregular-shaped canvases and structures with moving parts, connoting the principles of the Latin American MADà movement that wished to break from traditional painting and focus on the concrete and physical reality of art. Daríe was constantly preoccupied with space, light and color as well as with viewer participation in the motion, perspective and movement of his works. PROVENANCE: Southern Ontario estate

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

By [Artist Name]: In our opinion, the work is by the artist.

Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature: In our opinion, the signature on the artwork may be spurious.

Apocryphal: Of doubtful authenticity.