Gouache on paper. Featuring a lady. Signed and attr. James Whistler (American, 1834-1903) on the lower right corner. 11.4 x 9.4 in. (29 x 24 cm) James Abbott McNeill Whistler was a seminal American artist known for his paintings and etchings. His iconic Arrangement in Grey and Black No. 1 (1871), also known as Whistler’s Mother, is one of the most famous portraits of the 19th century. He painted in a style which emphasized layers of wet paint, gradually building tonal contrasts much like his contemporary Édouard Manet. “Paint should not be applied thick. It should be like a breath on the surface of a pane of glass,†he once advised. Born on July 10, 1834 in Lowell, MA, he and his family moved to St. Petersburg, Russia in 1842 for his father’s job as a railway engineer. Whistler studied at the Imperial Academy of Fine Arts at only 11 years old, returning to the United States with his mother after his father’s death in 1849. He briefly attended the United State Military Academy at West Point before being dismissed for disobedience and poor grades. Arriving in Paris in 1855, with little money and few prospects, he fell into the milieu of Henri Fantin-Latour, Gustave Courbet, and Charles Baudelaire. Over the following decades his work become increasingly sought after, living between London and Paris, Whistler produced several depictions of the River Thames and fell under the influence of Japanese woodcuts. The artist infamously sued the British art critic John Ruskin in 1877, who scathingly attacked Whistler’s painting Nocturne in Black and Gold: The Falling Rocket (c. 1875) in a review. He died on July 17, 1903 in London, United Kingdom. Today, his works are held in the collections of the Musee d’Orsay in Paris, the Metropolitan Museum of Art in New York, and the Tate Gallery in London, among others. PROVENANCE: Southern Ontario estate

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.