A Large Chinese Circular Cinnabar Screen framed in a tall wood stand. The masterful carving depicts sages having a discussion in the temple courtyard which rests in a mountainous bosom which is interspersed with many kinds of foliage. The background of this image displays a tranquil body of water with cumulus clouds overhead. The Cinnabar is smooth to the touch and is free of cracks or damage. Deep red color gives off a waxy sheen as the light dapples across its surface. The stand is firm and sturdy with few embellishments so as not to detract from the focal point.


LOT NOTES:

In its original form, cinnabar is crystallized red mercuric sulphide (HgS), the main ore bearing mercury. Cinnabar has been used for thousands of years as a coloring agent because of its intense red-orange color. It is obtained naturally by grinding ore into a fine powder then mixing the powder into dyes, paints and other finishes such as lacquer. It can also be manufactured by treating a mixture of liquid mercury and sulfur with potassium hydroxide. Cinnabar is the primary pigment in colors commonly referred to as vermillion and Chinese red.
Cinnabar is the color; lacquer is the material from which the objects are carved.
Thin layers of lacquer are applied over the basic form. Each layer must harden before applying the next. Eventually the layers are thick enough to carve. Depth of carving averages about one-eighth to one-quarter of an inch.
Carved lacquer from classical periods in Japan and China, 500-1700 AD, can have as many as 200-300 separate layers. Workshop records from those early periods speak of large pieces that took years to prepare and up to several years to carve.
Reddish-orange carved lacquer, or cinnabar, has been widely exported to the West for over three hundred years.

Dimensions: 28-1/2"L x 21-3/4"W

Over all in EXCELLENT condition, Some crackle, minor scratches and fading found on the ebony lacquered surface, network of fissures or cracks in a finish lacquer from climate changes.
With normal anomalies in nature, natural wood imperfection, sign of stressed surface, minor scratch & dent; Normal consider ages and wears.

EDEN Fine Antiques Galleries provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.