Ink on paper. Signed and attr. Honore Daumier (French, 1808-1879) lower left corner. 7.7 x 9.8 in. (19.5 x 25 cm). The “Michelangelo of caricature,†Honoré Daumier famously satirized France’s bourgeoisie and justice system, and masterfully exposed the misery of the masses through the emerging medium of lithography. Grotesque caricatures of government officials endeared him to the public, although one-too-many scathing renderings of King Louis-Philippe also landed him six months in prison. Thereafter, he stuck to the safer ground of deriding archetypal professionals such as doctors, professors, and especially lawyers and judges, whom he deemed cruel and pretentious. While his output of lithographs and illustrative drawings was most prodigious (circa 4,000 of each), Daumier also sculpted busts of members of parliament and painted religious and historical themes in the naturalist style, including many notable images of Don Quixote riding his horse. These late works were hardly recognized during his lifetime, yet are acclaimed today for their experimental techniques._x000D_
PROVENANCE: Southern Ontario Estate

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

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Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

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Apocryphal : Of doubtful authenticity.