Pastel and chalk on paper study, featuring a bather. Signed and attr. Edgar Degas (French, 1834–1917, Paris, France, based in Paris, France). Though he rejected the label, Edgar Degas contributed significantly to Impressionism with his depictions of fleeting moments and images of modern Parisian life—in theaters, cafés, and, most iconically, ballet studios. “It is much better to draw what you can't see anymore but is in your memory,†he said. “You only reproduce what struck you, that is to say the necessary.†Degas was trained in a traditional academic style, which is particularly evident in the classical subjects of his early works, and he was a master draftsman and capturer of emotions. As his practice evolved, he developed a profound interest in the poses and physicality of ballet, producing approximately 1,500 depictions of dancers over the course of his career. Like many of his contemporaries, Degas was influenced by Japanese prints, which inspired him to experiment with asymmetrical compositions and unusual vantage points. He also worked in a wide range of mediums and techniques, and was particularly known for his use of pastel to depict the figure with an almost sculptural solidity. PROVENANCE: Private American collection

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.