A Seven-Piece Gorham Chantilly Pattern Silver Tea and Coffee Service, Providence, Rhode Island, designed 1895, manufactured circa 1899-1905
Marks: (lion-anchor-G), STERLING, (date mark), (various)
17 inches high x 27 inches wide (43.2 x 68.6 cm) (largest, tray)
223.58 troy ounces

PROVENANCE:
Mr. & Mrs. Frank Morrill Murphy;
Thence by descent.

Lot comprising hot water kettle and stand (A165, 1905), coffee pot (A160, 1902), teapot (A161, 1902), covered sugar (A162, 1902), open creamer (A163, 1902), wastebowl (A164, 1902), and tray (date code for 1899), each monogrammed EMM.

Frank Morrill Murphy (1854-1917) was an American mining and railroad mogul who was one of the principal owners of the Congress Gold Mining Company. Like many Americans, Murphy seized the opportunities opened by Manifest Destiny, leaving his home state of Arizona at a young age to conquer the West. A shrewd businessman, Murphy quickly rose to prominence in both industry and politics and was an influential force which drove the region's profitability and expansion. He became one of the Southwest's largest bankers and acquired interests in several gold and copper mines, which proved particularly profitable during currency panics. Known as the "Gentleman Capitalist," Murphy was instrumental in combating mining fraud, acquiring both the Arizona Republican and Arizona Journal-Milner newspapers to expose ill deeds. Murphy's financial success allowed him to buy his wife Ethel (1872-1950) a permanent residence at the Holland House, a few steps from the Waldorf Astoria in New York City. Ethel, whom he had married in 1892, was a prominent socialite and hostess whose charitable endeavors included soliciting donations for the construction of the Carnegie Library and donating a rental property to the Episcopal Church. The present lot is engraved with Ethel Mary Murphy's initials.

Errant pin dents, errant nicking and scratching, few minor pit spots, burner handle missing finial, light dents near monograms to kettle/coffee/creamer, light push to sugar base causing nuanced rock, with wear commensurate with age, polishing, and use.