Zheng Xie (1693-1765)

Calligraphy in Xingshu

Handscroll, ink on paper,

signed Zheng Banqiao, inscribed with three seals of the artist.

Size: 72 x 25 in. (183 x 63 cm.)

鄭燮 (1693-1765) 苏学士集

设色纸本、横书《笔谈一则》

书法：释文：苏学士用宣城诸葛齐锋笔作字，疏疏密密，无不如意。后至惠州、儋耳，囊中笔罄，乃用三钱鸡毛笔，心手俱不相应，亦苦矣。余不喜湖毫，多用画家羊毛着色，尤以泰州邓氏羊毫散卓为贵。婉转飞动，乍沉乍浮，无不如意。其亦宣城诸葛之齐锋乎? 予何敢妄拟东坡，而用笔作书，皆爱肥不爱瘦，亦坡公意也。乾隆癸未秋八月 郑板桥。

钤印：右上板桥（阴文）左下板桥（朱文）七品官印（阴文)

郑板桥（1693－1766), 原名郑燮，字克柔，号板桥、板桥道人，江苏人，清朝官员、学者、书画家，擅长画竹。为“扬州八怪”之一，其诗、书、画被世人称为“三绝”。其诗宗陶渊明、陆放翁，郑燮以篆、隶、草、行、楷等各种书体的字形，并以兰草画法入书，形成有行无列、疏密错落的书法风格，创造了"六分半书"的书体，后人亦称之为“板桥”体。画竹似苏东坡。乾隆十三年（1748年），乾隆帝游山东，封郑燮为书画史，郑燮自刻印章一枚：乾隆柬封书画史。

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