ELIZABETH FRINK. SCULPTURE AND DRAWINGS 1952-1984, exhbition catalogue, signed "Elizabeth Frink" in black ink on front free endpaper, handling wear to spine and edges, minor soiling, paperback, 4to, Royal Academy of Arts, 1985. Together with an autograph letter signed ('Elizabeth Frink') to Lady Ramsbotham, reading "I have done a series of recling horses, another bigger one before them and many small ones. Mainly inspired by seeing my own horse lying down when I was living in France. The stable was under the studio. And I suppose that nearly all animals look so beautiful lying down, they take up a wonderful shape and look so completely reposed and calm. I think I like the idea because when they are in repose like that they are such a contrast to what I normally find in animals and in figures generally, which is a good deal of movement and tension I don't know whether this answers your question. It is very difficult to translate my sculpture ideas into words", three pages, rusty paperclip, light spotting, 4to , 1303 Minister House St James's Court, London [1976].Also included is the typed reply from a friend of Frink, who writes "I had a chance to see your lying Horse at the Washington Embassy garden and the Rambothams were very anxious that i should tell you how much I liked the site they chose for it", one page, tape restoration, 8vo , 14 June 1976 (3)