Huang Binhong (1865-1955), A Chinese scroll painting of ink and color laid to silk, hanging scroll.
Chinese painting in grisaille depicting pavilions within dense of shading trees and outcrop rock work along waterside and mountain landscape scene. Shows calligraphy inscription signed by the artist, Huang Binhong, on upper right , followed with iron-red signature seal, further seal on lower left. Mounted with creme-teal silk border.

Dimension: 78" L x 19-1/2" W
inner painting: 40" L x 11" W

PROVENANCE: From the collection of General Chen Qi (陳淇) (1912-2000), who styled himself as “Cangquan” (滄泉）and “Yuquanshanren”（玉泉山人), an artist, calligrapher, a prominent businessman and private antiques collector.
EDEN Fine Antiques Galleries is honored and proud to offer General Chen Qi's heirloom collections including unpublished Qi BaiShi paintings, Fu BaoShi, Zhang DaQian as well as his own calligraphy and paintings.
General Chen Qi's collections can be found on Lot 17, 18, 19, 20, and Lot-88 through Lot-142, continuing at Lot 265 through Lot-298.
For more information about General Chen Qi's Biography, please refer to provenance information at Lot 288.

LOT NOTES:

Huang Binhong (1865-1955) was a Chinese art historian and painter born in Jinhua in Zhejiang province. He was the grandson of artist Huang Fengliu. He is considered one of the last innovators in the style of painting and is noted for his freehand landscapes. His painting style showed the influence of the earlier painters Li Liufang, Cheng Sui, Cheng Zhengkui, and Kun Can. He also had significance for creating several societies devoted to painting and calligraphy. Huang Binhong's work and ideas reached maturity during the 1930s and '40s. In his writings from this period, Huang advocated studying the Tang and Song works to trace the past, in order to initiate the future. He wrote "Huafa yaozhi" (Principles of Paintings) in 1934, in which he explained his five ways of using the brush and his seven ways of using ink. He derived his style from the close study of Chinese tradition and of nature. Huang Binhong was among the first to point out the significance of the Xing'an School of painting in his scholarly writings of the early 1940s. Beside the Xi'an School, Huang was also influenced by Dong Qichang. Despite these ancient influences, some of his painting techniques, especially his experiments with the effects of light and his autonomous use of brush and ink, converged with those of Western Impressionism and Modernism. He developed calligraphic strokes in his works, forming a richly integrated style in which he manipulated solid and void. At the end of his career, when his eyesight was failing, Huang Binhong nearly departed from figuration in his paintings, while still infusing them with the essential spirit and resonance of the natural landscape. When he was 80 he had his first solo retrospective in Shanghai.

Over all in EXCELLENT Condition. Natural imperfection on the medium (paper or silk), regardless from any major damages; includes light blooms, discoloration and minor fading. Consider normal due to the ages.
The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. EDEN Galleries shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.