Lot 0541

William Schenck | Cowboy Imitating Mesas

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William Schenck | A Victum to Sunsets (sic): Artist: William Schenck | b. 1947 Title: A Victum to Sunsets (sic) Signed l/c: Schenck 93 Media: Oil on canvas Dimensions: 25 1/2 by 32 1/2 inches Condition: Very Good Condition details: This painting

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William Schenck, painting, 1981: William Schenck, painting, 1981, William Schenck (b. 1943, American), "Red Rodeo Rider", acrylic on canvas, signed, dated and titled verso, metal collection tag on frame, aluminum slat frame, 27.5" x

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William Schenck | High Heat at High Noon: Artist: William Schenck | b. 1947 Title: High Heat at High Noon | Signed l/l: Schenck 95 Media: Oil on canvas Dimensions: 40 by 40 inches

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WILLIAM, COWBOY WAGON: Artist: WILLIAM; Title: "COWBOY WAGON"; OIL, Dimension: 24X36 Inventory# 109. 85594

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BILL (WILLIAM CLINTON) SCHENCK (B. 1947): "STUDY OF: November 2016; oil on canvas; signed and dated lower right; signed, titled, and dated verso; 14 x 18 inches; 20 1/2 x 24 1/2 inches frame

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William Wallick, Cowboy Portrait: William Wallick, cowboy portrait, oil on canvas sight: 20 x 16 in., frame: 25 x 20.5 in. €â€¹€â€¹€â€¹€â€¹€â€¹€â€¹€â€¹Provenance: A Flo

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William H. Schenck ( American NY 1854-64) Third Avenue Railroad Depot: William H. Schenck ( NY FL 1854-64 ) Third Avenue Railroad Depot Dedicated to W.A. Darling President of 3rd Ave Rail Road Company Naive Building Portrait Signed Lower Right Industrial Realism 35" L 27

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William "Bill" Bailey (b 1944) American, Oil/Board: William "Bill" Bailey (B 1944) American. Western landscape, oil on board, signed and dated 1982 lower right. Montana Painter of Landscapes, wildlife, and cowboys. William and his brother Ron spent the

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William Atkins, Untitled (Cowboy and Cattle), 1975: William Atkins(1926 - 1995)Untitled (Cowboy and Cattle), 1975oil on canvassigned lower right: WH Atkins / 197526 x 32 in. (66.04 x 81.28 cm.), Frame: 29 1/4 x 35 1/4 x 1 1/2 in. (74.30 x 89.54 x 3.81

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William Acheff | Perry Mesa with Red Chile: Artist: William Acheff | b. 1947 AOA, NAWA Title: Perry Mesa with Red Chile Signed l/r: © William Acheff 2002 Media: Oil on canvas Dimensions: 6 by 8 inches Additional dimensions: 11.5 by 13.5 by 1.7

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Original Watercolor by Cowboy Artist Wm. T. Zivic: 1992 Original Watercolor by Arizona Cowboy Artist William T. Zivic, professionally framed with a custom matting, both mat and painting are signed by the artist, visual measures 22.25''L x 8 3/8''W, do

2017Original Watercolor by Cowboy Artist Wm. T. ZivicSee Sold Price

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William Gollings (1878-1932), Untitled (Cowboy on Horseback): William Gollings (1878-1932), Untitled (Cowboy on Horseback), oil on board, 14 x 10, signed lower right: Gollings, 1913, with artist's cipher, Provenance: From the Collection of D. William Kroupa & Al

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William Matthews (b.1949) American Cowboy Painting: William Matthews (American, born 1949). Original watercolor painting on paper. Titled, "The Tired Hand." A figural portrait of American cowboy Rand Hillman (born 1948), painted 1990 in a Realistic sty

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William Robinson Leigh (American, 1866-1955) Cowboy: Oil on canvas board. Signed 'W.R. Leigh' (lower left). 20" x 16". From a Southern Collection

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William R. Leigh (American, 1866-1955) Cowboy: Oil on canvas board. Signed 'W.R. Leigh' (lower left). 20" x 16"

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WILLIAM REUSSWIG (New York/Connecticut, 1902-1978), Cowboy on a galloping horse., Oil on masonite,: WILLIAM REUSSWIGNew York/Connecticut, 1902-1978Cowboy on a galloping horse. Signed and dated lower left "Reusswig ’71”.Oil on masonite, 24” x 36”. Framed 30” x 42

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William Schenck | Cowboy Imitating Mesas

Item Details

Description

Artist: William Schenck | b. 1947
Title: Cowboy Imitating Mesas
Signed l/r: Schenck 97
Media: Oil on canvas
Dimensions: 30 1/2 by 40 1/2 inches

Condition

Condition: Good
Condition Details: To the unaided eye, this piece appears to be in good condition. Ultraviolet light shows signs of restoration, specifically patching and in-painting 1" from the left-hand side, 9 1/2 " from the top and 9" from the left-hand side, 7 1/2" from the the top. Ultraviolet light also reveals some splatter marks across the surface of the piece that are inconsistent with the normal fluorescence of the artist's pigments. The bottom left-hand corner of the canvas shows signs of wear and a small amount of paint loss. This piece is intentionally unframed.