Rosa Indica Fragrans. Pierre Joseph Redoute (1759-1840).
Fine stipple-engraved plate in colours from Les Roses.
Paris: Firmin Didot, 1817-1824. 20 7/8 x 13 7/8 inches sheet. The unequalled botanical artist Pierre-Joseph Redouté occupies a central position in the development of European flower painting. Redouté had, as pupils or patrons, five queens and empresses of France, from Marie-Antoinette to Empress Josephine and her successor, Marie-Louise. Despite many changes of regime in a turbulent epoch, he worked without interruption, a testament to his greatness as an artist.
Les Liliacées is perhaps Redouté’s most celebrated volume, which he issued while under the patronage of the Empress Josephine, wife of Napoleon. In each illustration, the flowers are classical “portraits” which lack backgrounds or settings. The regal simplicity of the compositions allows the viewer to focus without distraction on the beauty and delicate complexity of the plants themselves.
The luminosity of stipple engraving, a technique perfected by Redouté, is particularly suited to the reproduction of botanical detail. The medium involved engraving a copper plate with a dense grid of dots that could be modulated to convey delicate gradations of color. Because the ink rested on the paper in miniscule dots, it did not obscure the “light” of the paper beneath the color. After this complicated printing process was complete, the prints were finished by hand in watercolor, so as to conform to the exquisite models Redouté provided.
Les Liliacées records the plants of the Lily family, and related flowers, that Josephine collected for her gardens at Malmaison. Redouté’s small drawings, placed at the bottom of the main illustrations, record the anatomical features of each species so that each flower could be identified with precision and cultivated to perfection. Redouté’s work represents a uniquely harmonious blend of scientific precision and supremely delicate rendering.